A master class in apologies and in storytelling through words and art.
An epistolary tale told mostly in drafts as a boy completes a teacher’s requirement to write an apology.
Ripped and crumpled notes tell most of the story as Jack, a brown-skinned boy with straight brown hair, grumps through the school day. An early draft reads, “DEAR ZOE, I’M SORRY YOU GOT SO MAD!!! JACK.” Light-skinned, dark-haired Ms. Rice, who looks over his drafts, writes back, “Dear Jack, Please try again. Love, Ms. Rice.” As each subsequent draft makes incremental progress, the story of what happened emerges (“I’m sorry FOR REAL that your castle got knocked over”). Kwon’s charming art, rendered in ink, then colored and collaged digitally, tells a parallel emotional story as Jack goes from angry to chastised, then back to angry (a wonderful spread shows him expressing his rage while taking part in the day’s art assignment: “Paint Your Feelings!”), and finally thoughtful. Meanwhile, the classroom activities with their own small dramas continue around him. In a late draft, the crux of the issue becomes clear. Jack had wanted to play with Zoe and her castle, but two boys told him that castles were for girls. Ms. Rice replies, “Dear Jack, I’m sorry that happened to you. I’ll talk to Ben and Jeremy… You’re almost there.” Ms. Rice’s gentle and kind voice guides Jack to a most satisfying apology and ending. Jack’s class is diverse.
A master class in apologies and in storytelling through words and art. (Picture book. 4-8)Pub Date: Aug. 27, 2024
ISBN: 9780593462911
Page Count: 32
Publisher: Dial Books
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
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