In this sharply written, emotionally resonant rendering, the author makes crystal-clear the heartbreaking realities of...
An empathetic report on the longest wrongful incarceration in the history of the United States to conclude with exoneration.
In his debut book, an expansion of his popular Cleveland Scene feature, Washington Post journalist Swenson weaves together the dramatic details of a 1975 incident in Cleveland in which three black men were falsely accused and convicted of the murder of Harry Franks, a white man, outside of a convenience store. The author begins with a sweeping history of Cleveland, especially the 1960s and ’70s, when increasing racial tensions and unrest haunted the region alongside rampant discrimination, urban infrastructural decay, and the crack epidemic that ushered in and decimated the city in the 1980s. Swenson introduces us to Kwame Ajamu, Wiley Bridgeman, and Rickey Jackson, boys for whom Cleveland had become their playground and true home. The author’s portraits of the boys are carefully and lucidly drawn, as he captures their maturation into young men who were in the wrong place when Franks was fatally shot. At their trial, the prime witness, a 12-year-old neighborhood boy named Edward Vernon, testified against them, and all were charged with the murder despite a glaring absence of physical evidentiary support. Swenson also delivers a vital portrait of Vernon’s adult life, plagued by drug abuse and unhappiness, and of his shocking retraction just as Bridgeman was paroled after 27 years in prison. Compelling and heartfelt, the author’s cinematic chronicle moves swiftly through these events, and embedded in this tale of gross criminal injustice is the frustrating history and scarred legacy of Cleveland, a city harboring a “deepening woe” and mired in political corruption, racial conflict, and unbridled crime. Through in-person interviews and extensive, diligent research, Swenson brings this travesty of justice into impressive, necessary focus.
In this sharply written, emotionally resonant rendering, the author makes crystal-clear the heartbreaking realities of wrongful imprisonment, race, and the many flaws of the American criminal justice system.Pub Date: Feb. 12, 2019
ISBN: 978-1-250-12023-6
Page Count: 304
Publisher: Picador
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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