Mori (Creative Writing/Saint Norbert College in De Pere, Wisconsin) returns to her native Japan for a lyrical first novel with the intensity of remembered grief. Yuki's gentle mother commits suicide after assuring the anxious 12-year-old that she is ``all right.'' Like her mother Shizuko, to whom she was exceptionally close, Yuki is talented and resilient; but she too is thwarted by a restrictive society and a miserable family situation. For Shizuko, there was no hope—though she loved her daughter, her husband was cold, dictatorial, and usually absent; and though (as Yuki will learn) she was once attracted to a more congenial man, she would have lost Yuki in a divorce. Life becomes nearly as bleak for Yuki: her father marries his mistress, who is obsessively antagonistic to Yuki, and he prevents Yuki from communicating with her mother's loving relatives. Even Yuki's talents are stumbling blocks to friendship: highly intelligent, creative, assertive, she doesn't fit into the traditional Japan of the 70's. Only at 18 does she break free by rejecting the fine local university to go to a distant art school. Still compulsively gauche, in the end she mellows toward her grandparents and makes a strong friendship with the promise of blossoming into love. A beautifully written book about a bitterly painful coming of age, intensified by exquisite sensory motifs—flavors and aromas, light and color, the weight and ornamentation of clothing. Yuki's unsympathetically portrayed father may not be fully realized; but like Suzanne Staples's Shabanu (1989), Yuki is unforgettable. A splendid debut. (Fiction. 12+)
Pub Date: March 1, 1993
ISBN: 0-8050-2557-X
Page Count: 222
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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