A strong, stirring generational tale about a Russian family’s travails.
A second-generation Russian Jew travels to Moscow for a semester abroad in 1980 looking for answers about her family history in this novel.
Anna, a college student, knows very little family lore. She was told that her great-grandmother Zlata was raped and killed during the Russian Revolution. Later, Anna’s grandparents, who met and married in America, willingly returned to Russia with their little girls—Anna’s mother and her younger sister—then fled back to the United States. The book’s narration alternates among time periods: the protagonist in the 1980s; her great-grandmother and Zlata’s daughter, Sarah, in 1917; and Anna’s grandparents’ sojourn in Russia in the early 20th century. Sometime after Zlata’s death, Sarah reluctantly went to America at her uncle’s behest (her father had gone there years before and started a new family). Sarah married Leon Vitsky, they had two daughters, and during the Depression that shook their faith in capitalism, off they went to Russia. In the present, Anna falls in love with young Iosif Belonsky, whose great-uncle Victor, by an uncanny coincidence, was a longtime friend of Leon’s. It was Victor who urged Leon to return to Russia and do his part in building the new and glorious Communist state. During her semester in Moscow, Anna discovers details about her family that will change her life. The book’s dedication suggests that the novel is close to Bordetsky-Williams’ family history. She is an experienced writer, and that shows in the craft and the passion behind this story. Especially moving and painful is the faith that Victor, a true believer, places in the new regime. He paints a picture for Leon of a Communist paradise when in fact conditions are worse there than in developing countries. Sarah is appalled, and Leon finally breaks free of Victor’s spell. But Victor believes in the dream even as he faces Stalin’s firing squad. The fatal consequences of idealism have never been clearer. “Meet the new boss, same as the old boss” has never been demonstrated more tragically. But readers get a vivid picture of ordinary Russians as warmhearted, giving people, making their plight all the more poignant.
A strong, stirring generational tale about a Russian family’s travails.Pub Date: Dec. 1, 2020
ISBN: 978-1-73284-804-7
Page Count: 310
Publisher: Tailwinds Press Enterprises LLC
Review Posted Online: Jan. 13, 2021
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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