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FORGET RUSSIA

A strong, stirring generational tale about a Russian family’s travails.

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A second-generation Russian Jew travels to Moscow for a semester abroad in 1980 looking for answers about her family history in this novel.

Anna, a college student, knows very little family lore. She was told that her great-grandmother Zlata was raped and killed during the Russian Revolution. Later, Anna’s grandparents, who met and married in America, willingly returned to Russia with their little girls—Anna’s mother and her younger sister—then fled back to the United States. The book’s narration alternates among time periods: the protagonist in the 1980s; her great-grandmother and Zlata’s daughter, Sarah, in 1917; and Anna’s grandparents’ sojourn in Russia in the early 20th century. Sometime after Zlata’s death, Sarah reluctantly went to America at her uncle’s behest (her father had gone there years before and started a new family). Sarah married Leon Vitsky, they had two daughters, and during the Depression that shook their faith in capitalism, off they went to Russia. In the present, Anna falls in love with young Iosif Belonsky, whose great-uncle Victor, by an uncanny coincidence, was a longtime friend of Leon’s. It was Victor who urged Leon to return to Russia and do his part in building the new and glorious Communist state. During her semester in Moscow, Anna discovers details about her family that will change her life. The book’s dedication suggests that the novel is close to Bordetsky-Williams’ family history. She is an experienced writer, and that shows in the craft and the passion behind this story. Especially moving and painful is the faith that Victor, a true believer, places in the new regime. He paints a picture for Leon of a Communist paradise when in fact conditions are worse there than in developing countries. Sarah is appalled, and Leon finally breaks free of Victor’s spell. But Victor believes in the dream even as he faces Stalin’s firing squad. The fatal consequences of idealism have never been clearer. “Meet the new boss, same as the old boss” has never been demonstrated more tragically. But readers get a vivid picture of ordinary Russians as warmhearted, giving people, making their plight all the more poignant.

A strong, stirring generational tale about a Russian family’s travails.

Pub Date: Dec. 1, 2020

ISBN: 978-1-73284-804-7

Page Count: 310

Publisher: Tailwinds Press Enterprises LLC

Review Posted Online: Jan. 13, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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