Following Oliver Stone's JFK, Prouty (whom Stone depicted as ``X,'' Jim Garrison's secret informant on the military-industrial complex) offers an update on the assassination. Anyone new to assassination studies will find Prouty's many theses (not much different than those he discussed in The Secret Team, 1973) unsettling at the very least, and it seems unlikely that every single column of smoke Prouty points at has no fire at its base aside from a blaze of paranoia, especially when he is not given to paranoid phraseology. Here, he adds nothing new to the theories set forth by the Stone film, only spells them out. Prouty's point of view comes from his nine-year stint as a chief of special operations for the Joint Chiefs of Staff, carrying out secret operations against Vietnam and Cuba, among other countries. These ``Black Ops,'' which included infiltrating CIA teams into foreign countries and building up insurgencies, in many ways married the CIA to the military-industrial complex. Prouty outlines how the government has carried out policies meant to swell defense contracts while maintaining low-intensity wars since 1945; tells how, in that year, he watched US equipment stockpiled on Okinawa being shipped to Indochina, where we armed all sides for their upcoming conflicts—all support for his contention that there's an elite power-base behind the US government, which knowingly or unknowingly fulfills its needs. On the assassination, Prouty restates many themes whose familiarity and thinness of detail here in no way lessen their force. But one finds spotty scaffolding that brings into question whole sections of the assassination plot. Conspiracy? Perhaps. Carried out for the reasons Prouty suggests? Maybe. But does he present the facts? No, just theories. The big picture, in large strokes, by a man of unusual courage in going out on limbs.
Pub Date: Sept. 1, 1992
ISBN: 1-55972-130-8
Page Count: 352
Publisher: Birch Lane Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1992
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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