A superior dystopic SF thriller with a Texas-sized scope.
In Goff’s SF series starter, a teenage Texan girl awakens after 12 years in suspended animation to a savage world of male chieftains and robots that look like idealized women.
The story begins in an alternative late-20th-century United States—or what’s left of it. The 1976 Olympic Games was a super-spreader event for a flu that’s killed millions of people, and is invariably deadly to women. In Texas, where society has already started to fragment, strong-willed 18-year-old Mirari Vega sees her best friend die and senses that women are likely to become extinct. In her distress, she agrees to a plan by her maverick-scientist father (in collusion with her love interest, Aaron) to cryogenically freeze her in a remote cave; the plan is to revive her after the plague runs its course. Twelve years later, Mirari awakens in a quasi-feudal Lone Star State led by fractious, gun-toting baronial patriarchs. Brutish humankind has turned to science and technology to find replacements for women—sometimes by employing forced sex-reassignment surgery, but mainly by creating lifelike, servile robot “feminals” whose beauty is often enhanced by fearsome combat functionality; Aaron’s family is prominent in their manufacture. As possibly the last human with child-bearing potential, Mirari’s existence can’t remain secret for long, but an early flash-forward reveals that feminals may be unexpected allies. Goff opens the narrative with a situation that’s strongly reminiscent of the real-life Covid-19 pandemic (“A global pathogen has a way of demanding attention, and believe me, that beast ravaged my life”). From there, the author further develops the premise in intriguing ways, and he keeps the pace brisk throughout. Although the protagonist’s age would ordinarily indicate that the story is meant to appeal to an older YA readership, there’s nothing juvenile about Mirari’s ordeals, and the profanity and extreme violence is clearly meant for an older audience. Over the course of this novel, readers will find the narrative’s execution compelling and the figure at its center refreshingly unsentimental. Overall, the work promises a well-developed SF series with nightmarish overtones.
A superior dystopic SF thriller with a Texas-sized scope.Pub Date: April 1, 2023
ISBN: 9798986292939
Page Count: 240
Publisher: Goff Reads
Review Posted Online: Feb. 22, 2023
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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