A well-realized work of near-future fiction that echoes timely themes.
In Maristatter’s dystopian debut novel, a young woman seeks shelter from a theocratic American regime.
Meryn Flint is 18 years old, but she’s not legally allowed to move out of her parents’ house. According to the patriarchal laws of the Christian States of America, Meryn must wait until her stepfather, Ray Esselin, finds her a husband. However, when Ray, in a drunken rage, kills Meryn’s mother for burning some pork chops, Meryn must leave home for her own safety. When she does so, she steps into a world in which she has no rights and few people she can trust. The society is divided into multiple castes, and the most privileged take advantage of genetic engineering. Meryn, however, is a member of the Worker Caste with little hope of advancement. She can either marry her former boyfriend—the well-connected but violent Steffan Hagen—or go rogue and join the off-grid community of Tin Town, where widows and other outcasts build their own houses from scavenged materials. Meryn chooses the latter, and for once in her life, she feels part of a proper community. But will it be enough to keep her safe and free from men who would do her harm? Maristatter’s prose is urgent and imaginative over the course of this novel, and the dystopia it fleshes out is frightfully intricate. In this passage, for instance, Meryn walks through Tin Town for the first time: “The muddy board sidewalk beneath our feet ran the length of the town, its sections uneven and cracked….A door slammed, its metallic screech harsh in the morning air. I caught the reek of stale beer and ‘kitty,’ a synthetic (and illegal) khat drug popular with the Indigent Caste.” Readers will detect shades of such works as Margaret Atwood’s 1985 classic The Handmaid’s Tale and other works of feminist speculative fiction, and, much like the authors of those stories, Maristatter crafts a tale that’s as believable as it is disturbing. It isn’t always subtle, but it’s unquestionably immersive and memorably wrought.
A well-realized work of near-future fiction that echoes timely themes.Pub Date: Aug. 24, 2022
ISBN: 9798986631110
Page Count: 342
Publisher: NiffyCat Press
Review Posted Online: Nov. 3, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
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