by L. Tam Holland ‧ RELEASE DATE: July 23, 2013
While characters with mixed heritages are increasingly visible in teen literature, their experience in a rapidly shifting...
A school assignment to research his family tree sends Vee (named for the letter) on a journey of discovery, real and metaphorical, hilarious and moving, that’s as much about the future as the past.
Future anthropologist and basketballer-wannabe Vee knows he’s an underachiever, thanks. Unlike his best friend Madison (Miao-ling at home), Vee doesn’t conform to the Asian-nerd stereotype. (He blames his heritage: Chinese immigrant dad and tall, blonde Texan mom.) They’re great parents, but their families are a taboo topic. Life’s not all bad—managing the girls’ basketball team has a lot going for it, like gorgeous but inaccessible senior Adele. Still, frustrations mount. Obsessed with digging up his roots and stonewalled by his parents, Vee enlists Madison’s help. She can’t help it if she looks like his father’s child more than Vee does and speaks Mandarin at home. (In Vee’s family, English is the common language.) Like the rounded characters, the plot avoids cliché and oversimplification. Life is a balancing act, Vee finds, in this book that belongs on every multicultural reading list. Knowing where we come from matters, but assigning too much power to ancestry can be more limiting than illuminating.
While characters with mixed heritages are increasingly visible in teen literature, their experience in a rapidly shifting cultural landscape is seldom explored in depth. This first-rate debut does exactly that. (Fiction. 12 & up)Pub Date: July 23, 2013
ISBN: 978-1-4424-1264-4
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: May 3, 2013
Kirkus Reviews Issue: May 15, 2013
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by Kwame Alexander with Mary Rand Hess ‧ RELEASE DATE: Aug. 1, 2017
A contemporary hero’s journey, brilliantly told.
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New York Times Bestseller
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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