by Lacey Braziel ; illustrated by Gin Tran ‧ RELEASE DATE: N/A
A reassuring, sensitively handled first step toward coping with a common emotional hurdle of childhood.
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In Braziel’s children’s book, a young girl must cope with separation anxiety when she starts school.
Addie, depicted as a light-skinned, brown-haired young girl, is about to begin her first day at school. She is less nervous about the new experience itself than about being parted—even temporarily—from her inseparable companion, Little Book, a stubby, plain-covered blue volume with expressive eyes, mouth, cheeks, and eyebrows. Little Book and Addie have always enjoyed a rich, imaginative play world, enjoying activities like tea parties, hide and seek, hopscotch, cooking, swinging on swings, and Halloween dress-up. And, of course, they read together. Addie likes to hold Little Book close and give him big hugs. Though they have to part, Little Book accompanies Addie and her mother on their first school drop-off. Then, disaster strikes: Little Book falls into a donation box, and ends up in the Little Free Library outside Addie’s school. Before Little Book’s plight becomes too upsetting, he is welcomed to the library by Teacher Book, a larger, bespectacled, salmon-colored tome. Teacher Book introduces Little Book to the other young books, and they enjoy a day of class together. Little Book still misses Addie—he remains anxious about her (“his little heart hurt”) and builds a little Addie figure out of blocks. But he has fun, too, and takes the first tentative steps toward friendship with a giggling orange book. At the end of the day, when the school bell rings, the door of the Little Free Library is flung open, and Little Book is grabbed...by Addie. Braziel narrates in straightforward, non-rhyming text, allowing events to unfold without distraction. Though the subject matter has the potential to be distressing, Addie and Little Book’s separation is couched within a safe framework of loving, supporting characters and Tran’s buoyant illustrations. Employing a light color palette to convey caring facial expressions and depict a small but racially diverse background cast, the uncluttered digital images evince a feeling that all will be well. This book will offer particular comfort to those affected by Separation Anxiety Disorder.
A reassuring, sensitively handled first step toward coping with a common emotional hurdle of childhood.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 6, 2026
Review Program: Kirkus Indie
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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