by Lacy M. Johnson ‧ RELEASE DATE: July 15, 2014
Ferociously beautiful and courageous, Johnson’s intimate story sheds light on the perpetuation of violence against women.
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In this riveting memoir, Johnson (Trespasses, 2012) writes of falling prey to an act of terrifying violence and its aftermath.
In 2000, the author’s former boyfriend kidnapped her and held her captive, raped her and threatened her with death. Though she eventually escaped, it took years to free herself from the emotional and psychological damage she suffered. “Even what the mind forgets, the body remembers,” she writes. Written in an urgent first-person, present-tense voice, the narrative takes readers through the fear and rage as the writer lived it. Her painful memories, released in a nonlinear fashion, cut like shards of glass. It was 13 years after her abduction before she could get herself to go through the police report of her case. She read that the owner of the building where the crime took place was a friend of “The Man She Used To Live With” (perhaps for anonymity and to get some emotional distance, Johnson uses titles instead of names throughout the book) and would not reveal to the police where he had gone. The author also discovered that her attacker paid a student $100 to help him build the soundproof cell in which she was held. Later, she learned that her predator escaped to Venezuela, where he has family. Though she has lived in fear that he would contact her again, she writes, life went on. She got married, received a doctorate and had two children, and she has continued to fight depression, panic and emotional withdrawal. “I’m trapped on the other side of a wide, dark chasm,” she tells her husband. Writing the truth is her way to the other side. “This story tells me who I am. It gives me meaning,” she writes. “And I want to mean something so badly.”
Ferociously beautiful and courageous, Johnson’s intimate story sheds light on the perpetuation of violence against women.Pub Date: July 15, 2014
ISBN: 978-1-935639-83-1
Page Count: 232
Publisher: Tin House
Review Posted Online: May 19, 2014
Kirkus Reviews Issue: June 1, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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