To describe this novel, as someone inevitably will, as Song of Solomon reimagined as a Marvel Comics franchise is to...

THE TALENTED RIBKINS

Hubbard shrewdly molds the pop-culture mythology of the comic-book superhero team into a magical-realist metaphor for African-American struggles since the real-life heroic battle against segregation in the middle of the 20th century.

You’ve heard of the Justice League? Meet the Justice Committee, an extended family of black crusaders who became legendary for using their extraordinary powers to protect leaders, activists, and their brothers and sisters during the 1960s civil rights movement. When this crafty and wistful debut novel opens in present-day Florida, the committee’s surviving members are scattered about, and one in particular, 72-year-old Johnny Ribkins, seems lost and at loose ends. Which is ironic since Johnny’s special gift is being able to draw precise maps of places he’s never been. (It came in handy when black drivers tried to make their ways safely through the racially segregated South.) But after the committee members drifted apart, Johnny and his brother, Franklin, whose natural wall-climbing skills rivaled those of Spider-Man, merged their talents for high-scale larceny. After Franklin’s untimely death, Johnny jump-starts his cartography gifts to track down buried loot from all their varied heists so he can pay off his debt to a shady real estate mogul. Accompanying Johnny in an antique Thunderbird she characterizes as “junky” is his moody teenage niece, Eloise, who’s been showing off some of her own inherited uncanniness by being able to catch any object thrown at her. With a pair of thugs shadowing them, Johnny and Eloise stop at various points in the Sunshine State, where they meet, among other relatives, Cousin Bertrand, nicknamed “Captain Dynamite” because he could “spit firecrackers”; another speedy, magnetic cousin known (of course) as “Flash”; and yet another nicknamed “The Hammer” because while her left hand looks normal, her right hand…you can probably guess the rest. With each rueful confrontation with people and places of his past, Johnny comes to grips with lost resolutions, squandered opportunities, and the complex history of a family that began with a patriarch whose superb sense of smell made him “The Rib King.” Hubbard weaves this narrative with prodigious skill and compelling warmth. You anticipate a movie while wondering if any movie could do this fascinating family...well, justice.

To describe this novel, as someone inevitably will, as Song of Solomon reimagined as a Marvel Comics franchise is to shortchange its cleverness and audacity.

Pub Date: Aug. 8, 2017

ISBN: 978-1-61219-636-7

Page Count: 304

Publisher: Melville House

Review Posted Online: June 6, 2017

Kirkus Reviews Issue: June 15, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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THE PRIORY OF THE ORANGE TREE

After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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