Lovers of intricate worldbuilding and feverish romance will find this enthralling.

STRANGE THE DREAMER

A young man and woman dream amid violence’s aftermath in this intense series opener.

Twenty-year-old orphaned librarian Lazlo Strange, whose brutish exterior conceals his cleverness, dreams of stories of a lost city. Two hundred years ago, six merciless, magic-wielding Mesarthim landed their seraphim-shaped citadel in the legendary city, blocking its skies and cutting it off from the outside world. Fifteen years ago, the Godslayer Eril-Fane ended their reign of terror with the Carnage, and now the city is known only as Weep. Seeking to restore the skies to Weep, reluctant leader Eril-Fane recruits scientists from the world beyond Weep—and bemusedly welcomes Lazlo—to move the allegedly abandoned citadel. But the long-silent structure instead holds five surviving godspawn, gifted offspring of captured humans and cruel gods, equally traumatized by the massacre. Red-haired, blue-skinned 17-year-old Sarai is a dreamer like Lazlo but fears nightmares even as she inflicts them on the citizens below. Besides literal ghosts, Weep is also haunted by loss—lost memories, lost history, and lost half-blood children. Taylor’s lengthy, mesmerizing epic offers an exotic Middle Eastern–esque world with invented words, biology, and mythology, populated by near-humans and strange creatures. The plot (endlessly dilated by dream sequences) is split between the lovers and then again among other narrators, rendered in delirious and sensuous, if repetitive, language. Weep becomes a laboratory in which Taylor examines slavery, trauma, memory, and appropriation, ending this first installment with a cliffhanger that leaves readers wondering if healing is even remotely possible.

Lovers of intricate worldbuilding and feverish romance will find this enthralling. (Fantasy. 14 & up)

Pub Date: March 28, 2017

ISBN: 978-0-316-34168-4

Page Count: 544

Publisher: Little, Brown

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

THE WAY I USED TO BE

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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