At first glance, this seems to be the worst possible knockoff of 20th-Century Lit 101, but Hunt manages to infuse enough...
A mentally disturbed man’s attempts to help his institutionalized wife, as related by Hunt (The Impossibly, 2001) in a Faulknerian voice that succeeds better than one would have reason to expect.
Although the setting is Indiana, there is more than a whiff of Southern Gothic about this tale, basically a family saga about an unhappy farming clan named Summers. As seen mostly from the perspective (and in the voice) of the simple-minded Noah, the Summers people like your basic cold-blooded, upstanding country folk, neither terribly perverse nor terribly interesting in their own right. Noah’s father was a schoolmaster before he married and settled down to farm life; Noah himself never learned to read and write very well and seems never to have held a job of any kind (although he delivered mail briefly during WWII when postmen were in short supply). Most of his neighbors might look upon Noah as the village idiot, but he is really more in the nature of a seer—quite literally. Noah’s odd, apparently meaningless visions often turn out to be uncanny (he once saw a grandfather clock, for example, hovering over a field in which it lay buried), and the local sheriff made use of his insights more than once. But Noah’s great curse was his inability to help his wife Opal, committed to a mental institution and subjected to the systematic horrors of 1950s-era psychiatry (electrotherapy, etc.). Hunt’s depiction of the inner workings of Noah’s mind (often phrased in extremely long stream-of-consciousness sentences) takes some getting used to, but he becomes a credible and sympathetic character in short order, and his plight—and Opal’s—become equally vivid (and heartbreaking).
At first glance, this seems to be the worst possible knockoff of 20th-Century Lit 101, but Hunt manages to infuse enough life into these old modernist bones that by the end they dance like a Halloween skeleton.Pub Date: Sept. 1, 2003
ISBN: 1-56689-144-2
Page Count: 200
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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