An emotionally satisfying story of two college students finding love amid chaos.
A sequel offers an ongoing melodrama set on a university campus.
Poole’s (Don’t Let Me Fall, 2013) new novel in her Village series brings back several characters from her earlier installment, notably college sophomore Ciara Capers, a smart and emotionally brave young woman returning to Aurbor Grove University after her adventures in the first book. AGU star quarterback Xander Oliver reappears as well. A sensitive “preacher’s kid,” Xander tries not to become ensnared in the typical partying ways of college (he remembers his religious upbringing often, with its calls for “a clean head, a clean heart, and clean hands”). Ciara rooms with her best friend, Faraji, and an archly competitive young woman named Brooklyn, with whom she often clashes. Mixed into this tense combination are romantic entanglements: Ciara’s clingy ex-boyfriend Trey continues to show up on her cellphone, for instance (“It’s a never-ending saga with him,” she tells Brooklyn. “Every time he calls or texts me, I have to relive all my mistakes”). And while Faraji’s boyfriend, Nick, provides her with a steady source of emotional support, he also delivers some complications, since he and Ciara earlier had a brief fling they’ve decided to keep a secret from Faraji. In steady and well-controlled dramatic advancements, Poole shapes the events of her story to bring Ciara and Xander closer together despite the schemes of Brooklyn and the boorish antics of Xander’s squad mates. Most memorably, the author creates a richly believable atmosphere of college life—the parties, the academic pressures, the swings between tedium and debauchery, the struggles of students to forge their own identities as they move into adulthood, the emotional baggage of ex-lovers and new attachments, etc. (Poole also refreshingly works in an element of real-world, old-fashioned financial concerns, an aspect usually left out of campus fiction.) The action of the book takes place independently from its predecessor, although the two novels are best read in sequence; together, they present a warmly convincing tale of 21st-century university life.
An emotionally satisfying story of two college students finding love amid chaos.Pub Date: Nov. 26, 2015
ISBN: 978-0-9910708-1-7
Page Count: 240
Publisher: Jack of All Trades Media LLC
Review Posted Online: Jan. 26, 2016
Kirkus Reviews Issue: March 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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