Ideal for encouraging young readers to forge a better connection with the source of their food.
A charismatic and friendly alien learns to become self-sufficient in Golden’s picture book about growing food.
On a vividly colored planet called Venesha, a blue-haired, human-like alien creature named Mordokai can never get enough carrots. He decides to plant a garden, first clearing the weeds, then planting the seeds for various fruits and vegetables. After a very fast growth cycle, Mordokai has vegetables to share with his friends. When the fruit trees grow, he harvests the fruit: “Mordokai made lemonade with the lemons. He shared it with his friends.” He decides that next, he’ll plant strawberries. There’s no real conflict in the narrative; the tale focuses on Mordokai’s patience while waiting for his plants to grow. The emphasis on sharing is made clear, but it’s never didactic—sharing is presented as a natural by-product of self-sufficiency. The simple sentences and accessible vocabulary make this a good choice for emergent readers, especially when accompanied by Eban’s vibrant full-color illustrations. The character designs for the aliens make them all look a little monstrous, but never scary, and Mordokai’s charming expressions—especially his puppy dog eyes when he can’t afford to buy carrots—are sure to have young readers rooting for him. The ending promises a sequel continuing Mordokai’s gardening journey.
Ideal for encouraging young readers to forge a better connection with the source of their food.Pub Date: May 17, 2023
ISBN: 978-1960976192
Page Count: 28
Publisher: Lamar Golden
Review Posted Online: July 24, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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