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THE TALE OF MR. CROCODILE TAKES TEA

A FABLE FOR CHILDREN AND THEIR PARENTS

A message-driven animal tale that successfully engages readers while also instructing them.

Awards & Accolades

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In Lee’s illustrated chapter book, a family of crocodiles travels from Africa to England to expand their horizons.

The author returns to the world of anthropomorphic animals, this time in a transcontinental adventure that explores what it means to be human—even for members of other species. The story opens in an unnamed African village on the banks of the Sillibilli River, where a family of crocodiles, led by the very large Mr. Crocodile, sits down to an elegant high tea with human village leaders and an astonished “Great White Hunter.” A flashback explains how Kita, a villager, persuaded Mr. Crocodile, formerly known as Sandbank, that he was “a Person” and therefore it’s inappropriate for him to pull other people into the river, even for fun. The high-tea tradition grows out of Mr. Crocodile’s new understanding of his personhood, and when he learns that the hunter, Henry Henderson, has been targeting crocodiles elsewhere, he insists on inviting him to tea to establish their common personhood. Mr. Crocodile informs the astonished hunter that, because he’s had dreams of a friendly English boy named Thomas, he and a group of crocodiles plan to travel to England. Mr. Crocodile and his companions soon arrive in London’s Crouch End area, where they meet Thomas and quickly charm his neighbors. However, it becomes clear that Henderson plans to abuse and exploit the crocodiles during their stay. Mr. Crocodile’s resentment grows, but when he runs into a gnu, he interrogates his own assumptions about who counts as a person. He has an epiphany, and soon organizes a multispecies event to demonstrate the concept of equality.

Lee presents a story that’s highly readable and often charming, and its didacticism doesn’t overwhelm the story. The text’s frequent, idiosyncratic use of capital letters (“I will give you as fine an English High Tea as I can manage which we will enjoy together as fellow Persons,” says Mr. Crocodile at one point) adds a flavor of antiquity to the prose, which also effectively contributes to its arch tone. It’s also enhanced by the fact that the book is not at all subtle in its messaging, as when Mr. Crocodile criticizes an atlas that refers to a river as “crocodile infested” and asks Thomas if it would be fair to call Crouch End “INFESTED BY HUMAN PERSONS,” which the boy agrees is indeed inappropriate. However, the book’s subtitle, which refers to the story as a fable, adequately prepares readers for its message-driven approach. Mr. Crocodile’s big reveal will remind readers that it was the African villagers, not Henderson, who taught him about personhood. That said, the book does not fully grapple with Europe’s relationship with Africa. Also, Mr. Crocodile’s enthusiasm for tea and wearing top hats—as depicted in Hunkeler’s realistic, painterly full-color illustrations, which depict major events throughout—may remind readers of Jean de Brunhoff’s stories of Babar the Elephant and their colonialist overtones. Still, it’s a cohesive story that generally overcomes such flaws.

A message-driven animal tale that successfully engages readers while also instructing them.

Pub Date: May 14, 2025

ISBN: 9798218306120

Page Count: 84

Publisher: Lwl Books

Review Posted Online: May 9, 2025

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BEST BUNNY BROTHER EVER

A tale of mutual adoration that hits a sweet note.

Little Honey Bunny Funnybunny loves baseball almost as much as she loves her big brother P.J.—though it’s a close-run thing.

Readers familiar with the pranks P.J. plays on his younger sibling in older episodes of the series (most illustrated by Roger Bollen) will be amused—and perhaps a little confused—to see him in the role of perfect big brother after meeting his swaddled little sister for the first time in mama’s lap. But here, along with being a constant companion and “always happy to see her,” he cements his heroic status in her eyes by hitting a home run for his baseball team and then patiently teaching her how to play T-ball. After carefully coaching her and leading her through warm-up exercises, he even sits in the stands, loudly cheering her on as she scores the winning run in her own very first game. “‘You are the best brother a bunny could ever have!’” she burbles. This tale’s a tad blander compared with others centered on P.J. and his sister, but it’s undeniably cheery, with text well structured for burgeoning readers. The all-smiles animal cast in Bowers’ cartoon art features a large and diversely hued family of bunnies sporting immense floppy ears as well as a multispecies crowd of furry onlookers equally varied of color, with one spectator in a wheelchair.

A tale of mutual adoration that hits a sweet note. (Early reader. 6-8)

Pub Date: Jan. 6, 2026

ISBN: 9798217032464

Page Count: 48

Publisher: Random House

Review Posted Online: March 17, 2026

Kirkus Reviews Issue: May 1, 2026

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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