A disquieting, well-researched exploration of the celebrity phenomenon and its consequences for our society.
Why the adulation of celebrities is a recipe for social decay.
One of the most eye-popping facts in this book is that Kim Kardashian has 326 million followers on Instagram as of September 2022. This simple data point shows the level that celebrity culture—i.e., being famous mainly for being famous—has reached in the U.S. and the world. Jones is a former editor of People magazine, a publication that played a role in building the celebrity machine, although now he has a jaundiced view of the whole business. The author identifies Elizabeth Taylor as one of the first to turn her life into a curated performance. After she stopped making movies, she generated millions of dollars in endorsements and eventually her own product line, which set a pattern for future generations. The big change, notes Jones, came with the social media revolution and the scale it provided. “The marriage of social media with celebrity culture was made in branding heaven,” he writes. “Just as the broad reach of television had once overshadowed the traditional legacy print media, so too did social media offer unparalleled reach, frequency, and intimacy, especially to younger consumers.” Paris Hilton was one of the first to grasp the potential of social media and understood that even the occasional scandal could be good for business. There were a host of imitators, and the formula worked best if it included a touch of vulnerability, which helped the manufactured image of authenticity. Jones points to surveys showing that many teenagers count being famous as their life goal, which underlines how celebrities have elbowed aside people of actual accomplishment. A few celebrities have used their profiles and wealth for good works. Jones hopes that this will become more common, but he doesn’t sound convinced. However, the author provides a solid examination of how we got here.
A disquieting, well-researched exploration of the celebrity phenomenon and its consequences for our society.Pub Date: May 9, 2023
ISBN: 9780807065655
Page Count: 208
Publisher: Beacon Press
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: March 1, 2023
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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