A writerly work that entices readers to seek out the titles in question.
With bombs falling across London between September 1940 and May 1941, five writers of various ages and backgrounds, selected by the sharp eye of Feigel (English and Medical Humanities/King’s Coll., London; Literature, Cinema and Politics, 1930–1945, 2010, etc.), shifted into romantic overdrive.
The imminent threat of destruction thrust the vulnerable inhabitants of this targeted city into a “suspended present” where “intense emotions could flourish,” writes the author. The five writers (Graham Greene, Elizabeth Bowen, Henry Yorke, aka Henry Green, Rose Macauley and Hilde Spiel) were decidedly literary, well-connected, mostly married and with solid humanitarian intentions that allowed them to aid in the Blitz crisis without actually going to war. Greene and Yorke hastily moved their wives and children to the countryside to pursue dalliances under fire; Greene, in Bloomsbury, and Elizabeth Bowen, in Marylebone, both worked as Air Raid Protection wardens at night. Yorke was a firefighter, and Macaulay, unmarried but involved for 20 years with her secret lover, Gerald O’Donovan, was an ambulance driver. While these four were directly involved in the action and writing their eyewitness accounts (later to be worked into their wartime novels and memoirs), the Austrian-born Jewish author Spiel was ensconced in a cramped flat in Wimbledon with her refugee parents, daughter and journalist husband, Peter de Mendelssohn, who worked at the Ministry of Information (as did Greene). While the others enjoyed a “good war,” full of danger, sexual intrigue and heavy drinking, Spiel found her release after the war’s end, when she returned to Vienna as a correspondent and recorded unbelievable devastation. These writers left an invaluable record of the war’s toll, both physical and emotional, as researched doggedly by Feigel.
A writerly work that entices readers to seek out the titles in question.Pub Date: July 9, 2013
ISBN: 978-1-60819-984-6
Page Count: 528
Publisher: Bloomsbury
Review Posted Online: April 26, 2013
Kirkus Reviews Issue: May 15, 2013
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
SEEN & HEARD
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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