Voters in the blue states will find it all irresistible, along with readers from sea to shining sea.

THE LIBRARIAN

Just in time for Election Day, Beinhart, re-enlisting in the liberal ranks of Michael Moore, Nicholson Baker, and The Manchurian Candidate, serves up a barn-burning political thriller complete with recipes for how to steal a presidential election.

The key figure, and virtually the only innocent, in the game of hardball politics is David Goldberg, a college librarian who gets eased into a second job cataloguing the papers of billionaire developer Alan Carston Stowe and then suddenly learns that Col. Jack Morgan, of Homeland Security, is sending four underlings to kill him because he’s found out a dread secret. The good news is that David’s alerted to the plot by Morgan’s sexy wife Niobe, somebody he’s already paying special attention to. The bad news is that he doesn’t know what he’s supposed to know and has no obvious way to find out in the five days before the forthcoming election ends the historic contest between hard-riding figurehead Augustus Winfield Scott and his come-from-nowhere Democratic challenger, Sen. Anne Lynn Murphy. Both candidates field organizations bent on decimating the opposition, but Scott’s America-first minions, David gradually realizes, have in reserve “one-one-three,” a knockout punch as diabolical as it is legal. The man-on-the-run plot is proficient persiflage; the bonus here is another dose of anti-Administration satire from the author of American Hero (1993), filmed with its target changed from Bush 41 to Clinton as Wag the Dog. Beinhart lays about him with a nuclear-tipped cudgel, analyzing Fog Facts (“known, but not known”), casting Kenneth Starr as a color commentator for Fox (Scott’s angry post-debate outburst is “such a trivial, innocuous event. After all, it’s not sex”), and watching Morgan worry whether David is “some deep cover, Democratic Party operative, or some Arab terrorist, or spying for Israel.”

Voters in the blue states will find it all irresistible, along with readers from sea to shining sea.

Pub Date: Oct. 1, 2004

ISBN: 1-56025-636-2

Page Count: 448

Publisher: Nation Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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