A sharp, media-centric satire set in a rebellious America.
A comic historical novel chronicles the adventures of an 18th-century printer.
Boston, 1773. War with Britain is brewing in the Colonies, but that’s the last thing London-born Leeds Merriweather wants. Though his pride and joy is his newspaper, the New England News-Journal, most of the printer’s income actually comes from contracts he has with the British-appointed governor. When his partner gambles away a controlling share in the paper to the powerful Tory Clinton Murdoch, Leeds is pressured to turn his neutral News-Journal into a full-throated supporter of British rule. Just as he’s learning about his imminent editorial shift, he meets—and completely falls for—the beautiful Sally Hughes. The sex worker and patriot uses her position at the Flagg Alley Bordello to learn compromising tidbits about members of the British military and government. Sally and Leeds decide to hatch a scheme together. Using Sally’s contacts and Leeds’ press, they publish the anonymous Watertown Times-Forger, a tabloid airing the dirty secrets of Britain’s agents in Massachusetts. Leeds soon finds himself working both sides of the propaganda war, a member of the governor’s advisory committee by day and a rebel pamphleteer by night. It’s all well and good until the British decide to root out the culprits behind the publication—and hang them for treason. From the Boston Tea Party to the Battles of Lexington and Concord, Leeds finds himself at the center of the tensions between the British government and the rebellious colonists. He and Sally must play their cards exactly right to help the American cause without giving themselves away. Luckily, Leeds is a newsman of extraordinary cunning and flexibility, but whether that’s enough to capture the hearts and minds of the reading public—or the affections of the feisty woman he’s working beside—remains to be seen.
Brill’s prose, as narrated by Leeds, is nimble and witty, revealing the opportunistic contradictions at work in the hungry journalist: “I didn’t mind Hancock’s politics for they made for good copy. But to describe…one of the richest and most politically active members of Boston” being “led to jail in irons would be something for which I would sacrifice my left pinky—my right pinky being needed to work the printing press.” This sequel to The Patterer (2013) is filled with the sort of cameos and alternate history tales that one expects from such a novel, and they are done well. But the real accomplishment is the way the author re-creates the media concerns of the audience’s own day—issues of bias, control, fake news, and sensationalism—within the context of events leading up to the American Revolution. Leeds tends to look after his own self-interest most of all, which both contributes to readers’ enjoyment and makes a compelling statement about freedom of the press. There are a few moments that are perhaps a bit too self-aware—Leeds ends up composing a rough draft of America’s founding document—but overall the book is a fun and satisfying read.
A sharp, media-centric satire set in a rebellious America.Pub Date: Feb. 1, 2021
ISBN: 978-0-9960834-4-7
Page Count: 276
Publisher: Black Tie Books
Review Posted Online: Dec. 2, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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