A fine historical novel and a witty, effervescent satire of media saturation.
A comic odyssey through the world of 18th-century London trash journalism.
In Brill’s (Live @ Five, 2013) latest novel, handsome, personable Leeds Merriweather is employed by Charles McNabb, the ferret-faced editor of the London Tattler-Tribune in 1765. Leeds is a patterer, a performer who stands at busy crossroads and dramatizes the top, most lurid stories for passing crowds. “Life is constantly delivering important lessons,” he realizes, some “more painful than others,” though one lesson he refuses to accept is McNabb’s callous pronouncement: “You were made to patter, not to publish. That is your proper lot in life. Accept it.” Ever since he was a boy at Wittyglib Manor, his family’s ancestral home, Leeds has dreamed of writing and publishing his own material, not hawking the headlines of others. He’s still frustrated by his boss’s judgment when he happens to encounter the famous Benjamin Franklin. Leeds notices that he has the kind of face you might engrave on a bank note, then stops himself: “Rubbish, I know. What country would be insane to the point of putting a commoner on its currency?” In the course of their conversation, Leeds conceives his “grand invention”: instead of shouting headlines, he’ll perform a newscast, complete with commercial breaks, every night, for the paying patrons of the Tamed Shrew tavern. The proprietress, a widow named Anastasia Fullbright, eventually warms to the moneymaking prospects of the gimmick; in one of his many clever winks at pop culture, Brill echoes Billy Joel: “It was a pretty good crowd for a Saturday and Mrs. Fullbright gave me a smile. She knew it was me they were coming to see.” Leeds’ plan is complicated not only by his forlorn love for the unattainable Kate Jasper, but also by the rise of rivals to his newscasting act. Brill juggles all these elements with considerable skill, and his Dickensian London is vividly evoked.
A fine historical novel and a witty, effervescent satire of media saturation.Pub Date: Oct. 1, 2013
ISBN: 978-0-9888643-4-4
Page Count: 340
Publisher: Black Tie Books
Review Posted Online: Jan. 15, 2014
Kirkus Reviews Issue: March 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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