by Larry Gomez ‧ RELEASE DATE: June 4, 2018
A thought-provoking attempt to upend hyper-efficient, data-driven learning models that’s hampered by a limited viewpoint.
Gomez’s (The Nomad’s Labyrinth, 2013) philosophical treatise that asks cleareyed questions about technology.
In short, interconnected aphorisms and anecdotes, the author, who describes himself as “a painter, lawyer, writer, musician and father,” aims to get readers to interrogate the ways that digital learning shapes their understanding of the world and one another. His far-ranging argument addresses various ways of learning, including oral storytelling, music, dancing, and art; along the way, he offers a generalized discussion of Indian drumming and tackles composer Arvo Pärt’s minimalist tintinnabuli music. Throughout, Gomez expresses concern about how the digitization of communication has flattened the ways that people share information, hindering the types of knowledge and connections they can build. Instead of indulging in enriching pastimes, he says, technology has increasingly tethered people to their jobs, turning them into “information shepherds that manage data.” This book is filled with astute observations, including musings on cell phones’ incessant data-gathering, as in fitness apps that track one’s walking and slumber patterns: “Slowly we’re taking the leisure out of walking and the rest out of sleep.” However, his free-flowing style also results in non sequiturs that come off as naive (“Just drum together, then see what the results are”) or curmudgeonly (“Emoji’s [sic] reflect a bipolar psychology, all nuance is forgotten and only the green or the red pill is available to express and cope with the vicissitudes of everyday life”). Gomez’s self-reflections produce some fascinating insights, but there are moments in which his work might have benefited from a wider lens. At one point, for example, he shares his experience at a Verizon store, where he scrolled through a display iPhone to find an article in The Atlantic on meditation. The experience strikes him as ironic, but it doesn’t complicate his technological cynicism. Gomez’s argument also takes a sharp turn when he asks millennials to “set aside their phones to get out and march”—a plea that seems to ignore recent, youth-led movements, such as Black Lives Matter and Occupy Wall Street.
A thought-provoking attempt to upend hyper-efficient, data-driven learning models that’s hampered by a limited viewpoint.Pub Date: June 4, 2018
ISBN: 978-1-71917-644-6
Page Count: 96
Publisher: CreateSpace
Review Posted Online: Aug. 7, 2018
Review Program: Kirkus Indie
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by Larry Gomez
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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