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FEEDING FRENZY

HOW ATTACK JOURNALISM HAS TRANSFORMED AMERICAN POLITICS

A critical, yet ultimately plodding analysis of the media's fixation on gaffes and scandals, from Univ. of Virginia government professor Sabato (PAC Power, 1984; The Rise of Political Consultants, 1981). The title refers to ``the press coverage attending any political event or circumstance where a critical mass of journalists leap to cover the same embarrassing or scandalous subject and pursue it intensely, often excessively, and sometimes uncontrollably.'' Many of the 36 cases examined here are dismally familiar to political junkies—Gary Hart's alleged womanizing, the phony mental-health rumors about Michael Dukakis, Gerald Ford's ``free Poland'' gaffe—and Sabato expertly supports his contention that they are debilitating to the body politic with comments gleaned from over 200 interviews, many with journalists surprisingly candid about their profession's excesses. Yet Sabato lumps together controversies that are trivial or sexually titillating (e.g., the ``killer rabbit'' that afflicted Jimmy Carter, Ohio Governor Dick Celeste's extramarital affairs) with others involving criminal offenses or constitutional issues (Chappaquiddick, Watergate, Iran-contra). Moreover, he continually undermines his case with reflections that are overstated (``Some recent lynchings...rival any spectacle produced by colonial Salem''), contradictory (one of his guidelines notes that ``situational ethics'' should still affect coverage of private lives—a press excuse he has already found self-serving), or just wrong (Sabato to the contrary, fear of skeletons in the closet has not noticeably discouraged ambitions of Presidential aspirants). Informative and timely, especially in light of the William Kennedy Smith and Chuck Robb cases—but dimmed by an anemic style and pedestrian conclusions.

Pub Date: Aug. 5, 1991

ISBN: 0-02-927635-7

Page Count: 336

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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