by Larry Niven ‧ RELEASE DATE: March 19, 1999
Almost 30 years ago, Niven (the splendid Destiny’s Road, 1997, etc.) wrote a handful of stories featuring Hanville Svetz of the Institute for Temporal Research. These reappear here as a sort of postscript, but the main attraction is a new full-length adventure. By the 31st century, Earth is polluted nearly to death, most species are extinct, and the office of UN Secretary-General has become hereditary. Under Waldemar the Tenth, Svetz roamed the past seeking wonderful animals to retrieve for Waldemar’s delectation. Waldemar the Eleventh, though, wants space travel and aliens—but the space program is nonexistent. So, what if the Martian canals observed by Lowell really were evidence of a dying civilization? Svetz and astronaut Miya Thorsven arrive on Mars in the year 1500. This Mars is inhabited, crisscrossed by canals, and sports a Beanstalk, a space elevator that seems to be a colossal space-going alien plant. The Martians, however, are mostly hostile and belong to a bewildering number of different species. Svetz and Miya must obtain Beanstalk seeds: if such a structure could be grown on Earth, it would yield cheap, painless access to space and its limitless resources. Several Martian species have already colonized this Beanstalk, which breaks free and sails off into space. When Svetz and Miya arrive at Earth a century later they watch the Beanstalk attach itself and grow. Mission accomplished? Well, not exactly. By the time they struggle back to the 31st century—not the same future they left—the Earth is dying, the Beanstalk having absorbed most of the planet’s water. Worse, the Beanstalk swarms with hostile Martians and is useless as a space elevator. Somehow, Svetz and Miya must change the past once again to remove the troublesome Beanstalk and find a way to make Mars live once more. A brilliantly conceived, funny, exciting, nail-biting, heart-warming jaunt through weird and wonderful histories that never were.
Pub Date: March 19, 1999
ISBN: 0-312-86777-8
Page Count: 320
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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