A political thriller as engrossing as it is thoughtful.
Two American agents are sent to China to investigate a major art theft in Witham’s international thriller.
When a Vermeer painting that was pilfered from the Gardner Museum in Boston 30 years ago suddenly resurfaces in China,the entire alphabet soup of American agencies takes notice. However, given the enormous stress the situation places on diplomatic detente, any attempt to recover the art must conducted with great stealth and delicacy, a complex predicament lucidly portrayed by the author in this scrupulously researched novel. The CIA sends two agents, Julian Peale and Grace Ho; the former is a military veteran who served in Afghanistan, the latter a first-generation Chinese-American (she prefers American-Chinese) who was trained by the Marines. Both have a deep knowledge of art history. Julian and Grace must manage the “interagency wrangle” they step into—the competitive jostling of various intelligence groups, American and otherwise—as well as the complexity of China’s own internecine disputes. Witham’s comprehension of Chinese culture and all of its entangled nuances is extraordinary—if nothing else, this novel is an impressive feat of scholarship. He demonstrates a similarly powerful command of art history, which is absolutely essential to the plot. The complexity of the characters is welcome—the author develops his principal players into fully realized human beings driven by multiple motivations. Art dealer Quang Daiyu, who runs the Silk Road Company, is marvelously dynamic—she is often moved by the simple pursuit of wealth, the means by which one can “buy freedom and privilege” in a China as godless as she is. However, she also sees herself as belonging to a royal line that stretches back to the days of China’s cultural dominance, a position she desperately wants to restore. This is an intellectually subtle but highly readable thriller, one that entertains without resorting to cheap formula or authorial condescension.
A political thriller as engrossing as it is thoughtful.Pub Date: Aug. 25, 2023
ISBN: 978-1665749060
Page Count: 322
Publisher: Archway Publishing
Review Posted Online: Nov. 2, 2023
Review Program: Kirkus Indie
Come for the forensics, stay for the nonhumans.
A Christmas bout between Kay Scarpetta and the Phantom Slasher.
But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.
Come for the forensics, stay for the nonhumans.Pub Date: Oct. 7, 2025
ISBN: 9781538773963
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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