This ruby is definitely not a hidden gem.
A quirky little Danish graphic-novel import doesn't quite deliver the goods.
From first glance, the premise of this third volume is extremely intriguing: A debonair time traveler in search of a purloined gem travels between the 19th and 20th centuries, landing in the midst of history—and on the Titanic. Mortensen, the tuxedoed time traveler, is in search of the Red Ruby, a rare and priceless piece thought to be cursed. Along the way, he engages in exciting chases through Versailles, brushes with gangsters and murderers, and many games of chess. Jakobsen’s narrative is disjointed and jumpy, though, and even readers paying close attention can get confused about when and where they are within the story; this seems a silly flaw for a graphic work, which could easily use its visual stylings to locate readers. Though recommended by the publisher for a middle-grade audience, it would be difficult to find a readership in that age range: This would be better suited to a patient, older crowd who could enjoy the noirish feel. With a vague and disappointing ending that leads readers know where and without resolution in subsequent volumes, this episodic offering is wholly unsatisfying.
This ruby is definitely not a hidden gem. (historical notes) (Graphic adventure/science fiction. 13 & up)Pub Date: March 1, 2013
ISBN: 978-1-4677-0729-9
Page Count: 48
Publisher: Graphic Universe
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Breathtakingly complex and intriguing.
When someone murders the renowned founder of an oppressively rigorous Washington, D.C., school, three students—all boys of color—emerge as prime suspects.
The police haul in a trio of Urban Promise Prep students, two Black and one Salvadoran, for questioning following the murder of Principal Kenneth Moore. For J.B. Williamson, Urban Promise’s strict rules and regulations are suffocating, but his luck seems to turn when he finally makes a tentative move forward with his crush. Jokester Trey Jackson, meanwhile, does his best to ensure his place in the big basketball game, and no one—not even his tough-as-nails Uncle T—can stop him. Ramón Zambrano dreams of one day owning a restaurant. In the meantime, he gets by hustling pupusas at school and refusing to succumb to pressure from his beloved cousin César, the feared leader of the Dioses del Humo gang. At Urban Promise, one false move can cost a college-bound future. Unfortunately, all three boys engaged in public spats with Principal Moore before his death; to clear their names, they must investigate and uncover the killer’s identity. In a masterful use of multiple points of view from both the main protagonists and secondary characters, Brooks weaves a tale of intrigue, doubt, and hearsay with ease, doling out crucial tidbits and clues. Each gradual reveal prods readers to reconsider and reassess. Featuring a sharp examination of systemic inequality in urban schools and Black and Latine boyhood, this novel delivers in spades.
Breathtakingly complex and intriguing. (Mystery. 14-18)Pub Date: Jan. 31, 2023
ISBN: 978-1-250-86697-4
Page Count: 304
Publisher: Henry Holt
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
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