The concluding chapter in Gilman’s Vineart War trilogy brings the story to a satisfying if sometimes sluggish end, expanding on the author’s unique concept of magic as expressed through winemaking.
After a perilous sea journey in the previous novel (Weight of Stone, 2010), Jerzy, a Vineart who has the power to cultivate magic contained in spellwines, returns to his homeland with three companions who are his allies in the battle against a mysterious enemy. A rogue Vineart from a far-off land is gathering together all five types of magic, a practice forbidden for centuries to prevent Vinearts from gaining too much power. Holed up at Jerzy’s vineyard, the four friends work to formulate a plan to defeat their unknown adversary, while fending off threats from various feudal lords and the Washers, a religious order committed to keeping Vinearts from overstepping their ancient prescribed limits. Gilman presents a complex and often fascinating system of spellcasting, rich in both fantastical and oenophilic detail. That system at times seems more fleshed out than the characters, especially the supporting players who aid Jerzy in his fairly predictable quest. Although the characterization can be sparse (and the writing sometimes dry), it is evenhanded, with the factions opposed to Jerzy’s mission getting a spotlight. The ultimate villain, however, is a one-dimensional megalomaniac, and his final showdown with Jerzy is a little anticlimactic. While that can be frustrating, it’s also indicative of how Gilman subverts expectations, favoring philosophical debates over big action sequences, and even dispatching one major battle completely off the page. The result is a story about how the real victories are won behind the scenes, with cunning and careful planning, rather than by large armies doing as much damage to each other as possible. By mixing familiar fantasy elements with unexpected new approaches, Gilman produces a novel that’s both traditional and forward-thinking.
Pub Date: Oct. 18, 2011
ISBN: 978-1-4391-0148-3
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Oct. 15, 2011
A somewhat overstuffed first entry in a promising new series.
A librarian in charge of unwritten books gets pulled into a dispute between heaven and hell in Hackwith’s debut.
Claire is the librarian of hell’s Unwritten Wing, meaning she's in charge of books that either haven’t been written yet or, if their author has died, will never be written at all. Claire’s soul is human, unlike that of her assistant, Brevity, who's a failed muse. There’s nothing an unwritten book wants more than to be written, and sometimes a book is able to manifest itself in the form of one of its characters. When a young demon named Leto gives Claire the news that one such book has escaped, she knows it’ll be looking for its author on Earth, hoping to convince her to sit down and write that book she’s been thinking about. But when Claire, Brevity, and Leto go to retrieve the book, they are confronted by the angel Ramiel, who is convinced they have pages of the Devil’s Bible. Suddenly Claire and her friends are on the run from realm to realm, trying to get to those pages before Ramiel and prevent a war between heaven and hell. There’s a lot going on here, and the first in any new series has plenty of worldbuilding to cover, but it would have been nice if this sprawling first installment had been a bit more contained. The scenes with Ramiel and the other angels are particularly interesting, as are hints of political tensions between the demons of hell. Hackwith is a strong writer, and there’s plenty to build a series on here, so hopefully future novels will have a narrower focus.
A somewhat overstuffed first entry in a promising new series.Pub Date: Oct. 1, 2019
ISBN: 978-1-9848-0637-6
Page Count: 384
Publisher: Ace/Berkley
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
If this first volume is any indication, James’ trilogy could become one of the most talked-about and influential adventure...
Wrought with blood, iron, and jolting images, this swords-and-sorcery epic set in a mythical Africa is also part detective story, part quest fable, and part inquiry into the nature of truth, belief, and destiny.
Man Booker Prize winner James (A Brief History of Seven Killings, 2014 etc.) brings his obsession with legend, history, and folklore into this first volume of a projected Dark Star Trilogy. Its title characters are mercenaries, one of whom is called Leopard for his shape-shifting ability to assume the identify of a predatory jungle cat and the other called Tracker for having a sense of smell keen enough to find anything (and anybody) lost in this Byzantine, often hallucinatory Dark Ages version of the African continent. “It has been said you have a nose,” Tracker is told by many, including a sybaritic slave trader who asks him and his partner to find a strange young boy who has been missing for three years. “Just as I wish him to be found,” he tells them, “surely there are those who wish him to stay hidden.” And this is only one of many riddles Tracker comes across, with and without Leopard, as the search takes him to many unusual and dangerous locales, including crowded metropolises, dense forests, treacherous waterways, and, at times, even the mercurial skies overhead. Leopard is besieged throughout his odyssey by vampires, witches, thieves, hyenas, trickster monkeys, and other fantastic beings. He also acquires a motley entourage of helpers, including Sadogo, a gentle giant who doesn’t like being called a giant, Mossi, a witty prefect who’s something of a wizard at wielding two swords at once, and even a wise buffalo, who understands and responds to human commands. The longer the search for this missing child continues, the broader its parameters. And the nature of this search is as fluid and unpredictable as the characters’ moods, alliances, identities, and even sexual preferences. You can sometimes feel as lost in the dizzying machinations and tangled backstories of this exotic universe as Tracker and company. But James’ sensual, beautifully rendered prose and sweeping, precisely detailed narrative cast their own transfixing spell upon the reader. He not only brings a fresh multicultural perspective to a grand fantasy subgenre, but also broadens the genre’s psychological and metaphysical possibilities.
If this first volume is any indication, James’ trilogy could become one of the most talked-about and influential adventure epics since George R.R. Martin’s A Song of Ice and Fire was transformed into Game of Thrones.Pub Date: Feb. 5, 2019
ISBN: 978-0-7352-2017-1
Page Count: 640
Publisher: Riverhead
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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