The second part of this trilogy is darker and, in many ways, more moving than its predecessor.
Stories as ambitiously made up as this aren't expected to so intensely engage the shifting natures of truth and reality. This one does.
A chorus of enthusiastic comparisons to George R.R. Martin’s A Song of Fire and Ice greeted James' Black Leopard, Red Wolf (2019) upon its publication. This second volume in a projected trilogy set in a boldly imagined, opulently apportioned ancient Africa shows that the Man Booker Prize–winning novelist is building something deeper and more profoundly innovative within the swords-and-sorcery genre. In this middle installment, James doesn’t advance his narrative from the first volume so much as approach its main story, Rashomon-like, from a different perspective. This, then, is the story of Sogolon, the 177-year-old Moon Witch, whose path crosses in Black Leopard with those of the one-eyed Tracker and his motley entourage in a far-flung and fraught search for a mysterious young boy who's been missing for three years. This novel, told in the main character’s patois, which is as witty, richly textured, and musically captivating as the story it tells, begins decades and decades before, back when Sogolon is an orphaned child and indentured servant who first becomes aware of her dark powers when she repels her master’s violent sexual advances with some involuntary—and deadly—violence of her own. From then on, a force she identifies throughout the narrative as “wind (not wind)” is summoned to carry her (and often rescue her) through years of travail and adventure across several kingdoms and wildernesses, encountering such wonders as a city that levitates at sunset and such perils as the witch-hunting Sangomin gangs. Through calm and stormy times, she’s always aware of being stalked by the Aesi, known from the previous installment as chancellor to Kwash Dara, alias the Spider King, but here Aesi exists mostly as a demonic spirit that can dispatch invisible assassins and manipulate people’s minds for its own ends. There’s barely enough space to talk about James’ many inventions, from children capable of changing into lions to a river dragon known as a “ninki nanka.” So much is densely packed into this narrative that it sometimes threatens to leave the reader gasping for breath, especially at the start. But once Sogolon’s painful, tumultuous initiation ends and the Moon Witch’s legend takes hold, James’ tale picks up speed with beautifully orchestrated (and ferociously violent) set pieces and language both vivid and poetic.
The second part of this trilogy is darker and, in many ways, more moving than its predecessor.Pub Date: Feb. 15, 2022
ISBN: 978-0-7352-2020-1
Page Count: 656
Publisher: Riverhead
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
PERSPECTIVES
PERSPECTIVES
A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.
Exes pretend they’re still together for the sake of their friends on their annual summer vacation.
Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.
A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.Pub Date: April 25, 2023
ISBN: 9780593441275
Page Count: 400
Publisher: Berkley
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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