Delivers an important lesson with an emotional wallop.
In this inspired tale of metafiction, best friends Squirrel and Bird get ready for a concert, with the help—and hindrance—of a meddling narrator.
Offering condescending and reductive characterizations of both creatures, the unseen narrator immediately rouses Bird’s ire. Squirrel is “loud! Very LOUD!” Bird, on the other hand, “hardly makes a sound at all.” “Squirrel is busy. Busy, busy, busy!” But Bird “prefers to sit and do nothing.” Bird chafes at these flattening descriptions—all of which contradict what’s actually going on in the illustrations as the two animals cheerfully prepare for their performance. As the event draws closer, the narrator lays it on thick (“Squirrel is confident. Bird is shy”) until finally Bird has had “ENOUGH!” and proclaims that all creatures are far more multifaceted than they might appear. Chastened, the narrator agrees: “Bird is a LOT of things. And Squirrel is, too!” Baker’s minimal text is ably supported by Thomas’ muted artwork. Featuring grays and warm yellows, the images evoke the feeling of a classic storybook—one that’s cleverly subverted as the narrative progresses. Dynamic layouts—the occasional use of panels, the word “ENOUGH!” taking up an entire spread—add panache. Bird’s comments are rendered in a unique, flowing typeface. The message is clear: It’s foolish and limiting to attempt to put anyone in a box; there’s so much more to all of us than meets the eye.
Delivers an important lesson with an emotional wallop. (Picture book. 5-7)Pub Date: Aug. 19, 2025
ISBN: 9781664300866
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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