A challenging, sometimes alienating, slow burn of a novel.
Two people struggle to come to terms with the world burning around them.
Austrian writer Freudenthaler’s new novel follows the inner lives of two obsessive people as they face an Earth being ravaged by climate change. One is an unnamed journalist who’s struggling with her inability to dream (“Maybe there’s just no place for dreams anymore”)—and beginning to isolate herself from her friends, family, and an increasingly unrecognizable world. The other is her friend Ulrich, a scientist suffering from insomnia who spends his days poring over wildfire data and his nights cataloging his own sleep data. While discussing a potential career change with his sleep doctor, Ulrich says he can neither live with or without the flames: “We became pyrophytes long ago. We can’t live without fire and it will destroy us.” Though his job—like the fires—is ruining him, he can’t tear himself away. When the narrator leaves the city for the countryside, she becomes increasingly lost in her own thoughts and drawn to nature—which is rapidly shifting and changing before her eyes. At times, the interiority of the characters feels strange and oppressive—though this serves as an apt metaphor for the impending and all-consuming climate crisis. Freudenthaler’s fragmented and poetic prose can make it hard for the reader to get their bearings. Once they plant their feet, the tense or perspective shifts—or the vignette suddenly ends—and a new, seemingly unconnected one takes its place. The novel blurs dreams, reality, and time in a way that feels like wading through smoke. Near the end of the novel, Ulrich says: “Everything now is in a state we never knew.” The data and models and warnings will be of no use in this new world; there is nothing to be done but to watch what burns—and hope something, anything, can grow in its wake.
A challenging, sometimes alienating, slow burn of a novel.Pub Date: Sept. 5, 2025
ISBN: 9781803095615
Page Count: 244
Publisher: Seagull Books
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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