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HALFWAY WILD

Good both for classroom explorations of metaphors and for inspiring imaginative play.

As they move through their day, a busy family changes skin, fur, and feathers.

Buzzing and tumbling out of bed, they are a family of bumblebees, the boy in the bottom bunk sporting delicate wings, while his sister in the top is almost wholly bee—pajama top and bottom are visible, but just barely, beneath a fuzzy bee body, and she has antennae and wings. By the turn of the page, the siblings have morphed into moose, the brother’s antlers helping his sister in her climb to reach the sugary cereal. Some of Freudig’s metaphors work better than others, and similarly, some of Barry’s detailed, realistic illustrations include more animal parts, other less: “When our socks sag and our pants are wrinkled, we’re a family of TURTLES,” shows the two sleepy, sluggish children getting dressed, the girl upside down in her turtle shell, but when they eat spicy food and cool the fire with water, they (inexplicably) sport the heads of foxes. Other transformations include puffins, squirrels, ducks, ants, sea gulls, seals, field mice, fireflies, skunks, raccoons, and bears. The mother, father, and grandmother sometimes get into the act, as well, the grandmother delighted to join in the puddle-stomping of her duck grandchildren, all three with white wings and orange webbed feet. Dad’s white with curly red hair, while mom looks East Asian.

Good both for classroom explorations of metaphors and for inspiring imaginative play. (Picture book. 3-7)

Pub Date: Sept. 22, 2016

ISBN: 978-1-934031-48-3

Page Count: 32

Publisher: Islandport Press

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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