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THE O. HENRY PRIZE STORIES 2005

In all, a first-rate sampler of the best from the little magazines (The Georgia Review, Michigan Quarterly Review, The...

Furman and guest editors Christina Garcia, Ann Patchett, and Richard Russo have put together a stellar group of 20 for the anthology’s 85th outing.

The stories range in style and tone from Kevin Brockmeier’s “The Brief History of the Dead,” a hauntingly apocalyptic miniature about the emptying out of a mysterious city where people go when they die, to Michael Parker’s noirish “The Golden Era of Heartbreak,” which pushes the jilted lover cliché into new territory. Standouts include Elizabeth Stuckey-French’s “Mudlavia,” a coming-of-ager set at a health spa in the summer of 1916; Ruth Prawar Jhabvala’s “Refuge in London,” about a young girl who, in the late 1930s, sits for a celebrated artist in a German refugee community in London; Nancy Reisman’s richly textured “Tea,” about a doomed affair between a romantic young woman and a married man in 1927; and Liza Ward’s “Snowbound,” about a young girl’s wise assessment of the adults in her life. There are a few disappointments, however. Dale Peck’s convoluted “Dues” takes on a promising urban theme—a creeping dread that “life was just a series of borrowed items, redundant actions, at best repetitions, at worse theft”—as experienced by a man who buys a stolen bike and is discovered and beaten by its owner. But the piece is too convoluted and contrived to nail it. And Timothy Crouse’s “Sphinxes,” about the relationship between a piano teacher and three of his students, is too lengthy for its own good. Guest Editor Patchett notes that in “What You Pawn I Will Redeem,” Sherman Alexie “steps aside to let his character have every inch of the stage,” and his Spokane Indian narrator is indeed winning.

In all, a first-rate sampler of the best from the little magazines (The Georgia Review, Michigan Quarterly Review, The Oxford American, Zoeotrope, Granta) as well as the more commercial (The New Yorker, The Atlantic Monthly).

Pub Date: Jan. 1, 2005

ISBN: 1-4000-7654-4

Page Count: 384

Publisher: Anchor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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