A powerful, unforgettable tale of love that is made more poignant by the loss that preceded it.
A 40-year-old children’s book author and illustrator returns to Kamakura from his home in Tokyo to clear out his mother’s house—and decides to stay.
About a year before his mother died, Shūichi shut himself off from all emotions in order to survive, for reasons that don’t become clear until later. After her death, he sets about methodically clearing out her house, hiring a workman to help make the process less personal. But then he discovers that a small boy has been stealing items that are being temporarily stored in the garage: a watering can, a stained apron, a chipped cup—nothing of true value. The unexpected oddity of it intrigues Shūichi, and he begins to observe the boy. From this small beginning, a friendship blossoms between 8-year-old Kenta—who had been spending his afternoons with Shūichi’s mother while his parents worked—and Shūichi, who decides to stay in his mother’s house after all. This story, told in chapters as well as small snippets, unfolds much like origami: There’s Shūichi’s separation from Aya, his former wife; his growing relationship with Sayaka, who prepared his mother for burial; and his inability to deal with the devastating event that originally caused him to suppress his emotions. But in closing himself off from pain, he has also closed himself off from joy. This is a masterful second book by Messina, author of The Phone Booth at the End of the World (2021); from the richly drawn characters to the slow unveiling of the story to the constant presence of the ocean, nature, and the steep hill that Shūichi lives on—reading this lovingly drawn story is an immersive experience.
A powerful, unforgettable tale of love that is made more poignant by the loss that preceded it.Pub Date: Oct. 22, 2024
ISBN: 9781419772498
Page Count: 400
Publisher: Overlook
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.
A boy band cruise is the site of one woman’s post-divorce healing.
Annie never meant to end up alone on a Boy Talk cruise, but that’s exactly what happens when her sister breaks a leg and has to bow out of their vacation. Now Annie is sharing a cabin with a stranger, stuck on the cruise ship American Fantasy with the 1990s band—and thousands of their biggest fans, known as Talkers. Annie doesn’t consider herself a Talker, even if she was a fan back in the day. But reeling from a recent divorce and dealing with complex feelings about turning 50, Annie throws herself into the distraction of the trip. What she doesn’t expect is to truly connect with the music, the band, the other fans, and herself. As Annie observes, “This was why people turned to religion or watched the Super Bowl at a sports bar instead of alone in their living room. It felt good to be a part of something where your passion was celebrated instead of mocked.” All the Talkers dream of having a special bond with “the guys,” but when Annie actually does meet Keith, a Boy Talk member who’s clearly going through a hard time, she wonders if their connection is real or if she’s just as delusional as the other (mostly) women on the ship. Straub depicts a wonderfully immersive world aboard the American Fantasy, one where each woman assigns herself a favorite guy and everyone is bedecked in Boy Talk merch. For five days, the Talkers live in a fantasy world where the only thing that matters is their connection with a band that meant everything to them so many years ago. As Annie puts it, “Inside her head, which is where she heard the music, it had touched some lever so deep that it couldn’t be reversed…the music was a direct vein to her own childhood, the least complicated part of her life.”
A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.Pub Date: April 7, 2026
ISBN: 9798217046850
Page Count: 304
Publisher: Riverhead
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
PERSPECTIVES
PERSPECTIVES
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