Next book

GENDER EUPHORIA

STORIES OF JOY FROM TRANS, NON-BINARY AND INTERSEX WRITERS

A welcome text in which trans, nonbinary, and intersex writers can reveal their true selves.

The title of this collection aptly describes its unique contribution to the canon of writing on nonbinary issues.

Editor Dale collects pieces from noncisgender writers who describe only their joyful trans or nonbinary experiences. None of the essays feature the psychological trauma that can accompany gender dysphoria. “I’m not going to pretend that the world isn’t sometimes a bit miserable for non-cisgender people,” writes Dale. However, she continues, this book “is about people doing small actions and grand gestures that made them feel radiantly themselves and wonderfully at peace.” The positive editorial focus works well as the organizing theme. Rather than detailing victimization and suffering, these reflections find the very real delights in nonbinary experiences, as contributors examine how being trans, "enby" (short for nonbinary), or intersex contributes to their bliss. Most of these euphoric moments arise when the writers are finally able to present themselves in public as their true-felt gender (or nongender). Appearance is often important, whether it involves clothing (Jane Aerith Magnet’s "Escaping the Monochrome Closet at Pride"), makeup, tattoos, or body/facial hair. We feel the joy when Oliver Jones, an 18-year-old trans man from England, writes about an unexpected role as prom king or when Miles Nelson, an autistic and trans man, revels in a "gender-affirming wedding." Dale, the author of Uncomfortable Labels: My Life as a Gay Autistic Trans Woman, writes about when she first noticed that her hormone replacement therapy was working, felt “my new breasts bounce,” and attended her first "girly sleepover.” Parker Armando Deckard, a Filipino American nonbinary trans man, shares his happiness at cutting his hair supershort to look "like a boy," thus "reclaim[ing] part of myself." The contributors also demonstrate the importance of other subcultures and practices, including the punk scene, erotic role-playing in online gaming, cosplay at anime conventions, and BDSM sex work for trans and gender-nonconforming clients.

A welcome text in which trans, nonbinary, and intersex writers can reveal their true selves.

Pub Date: April 19, 2022

ISBN: 978-1-80018-056-7

Page Count: 320

Publisher: Unbound

Review Posted Online: Jan. 21, 2022

Kirkus Reviews Issue: Feb. 15, 2022

Next book

THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 73


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 73


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview