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LOVE IN THE TIME OF CONTAGION

A DIAGNOSIS

Provocative and darkly humorous.

Cultural critic and essayist Kipnis explores how Covid-19 and the socio-economic turbulence of recent years have reshaped concepts of dating, love, sex, and interpersonal closeness.

For Kipnis, who has written multiple well-received books about love and sexuality, the pandemic has done far more than reorganize the way the world operates; it also “infect[ed] our relation to other people’s bodies.” In this witty four-essay collection, she explores how the pandemic, in tandem with such preexisting crises as political polarization, accelerating economic disparities, and racial and sexual injustice, has permanently altered intimate relationships. Like a “viral imp of the perverse,” Covid-19 contributed to massive loneliness throughout the world via lockdown scenarios and social distancing. In the U.S., writes Kipnis, “the flailing government response” only added to the anxiety about the “fatally divided nation” America had become under the “biohazard” that was the Trump administration. The virus also laid bare the grim reality that some in this country—e.g., the poor and people of color—were “more disposable than others.” In the realm of relationships, Kipnis quips that the pandemic became a kind of metaphor for what consciousness-raised heterosexual women had been feeling all over the world: that men began to feel “like germs.” The author’s own long-term relationship was suddenly exposed as a “neurotic pact” that verged on co-dependent. For millions of others, physical contact had become “a crisis.” A dearth of safe spaces in which to interact drove many—in particular, tech-savvy, undersexed young professionals—to seek connection online only to find themselves caught up in a chaotic, very public swirl of personal dramas. Fearless and sharply observed, this book suggests that future post-pandemic challenges will have less to do with its biological legacy to humanity and more to do with the impact of a virus on interpersonal closeness.

Provocative and darkly humorous.

Pub Date: Feb. 8, 2022

ISBN: 978-0-593-31628-3

Page Count: 224

Publisher: Pantheon

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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HOSTAGE

A dauntless, moving account of a kidnapping and the horrors that followed.

Enduring the unthinkable.

This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.

A dauntless, moving account of a kidnapping and the horrors that followed.

Pub Date: Oct. 7, 2025

ISBN: 9780063489790

Page Count: 208

Publisher: Harper Influence/HarperCollins

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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