A lovely book to read and pass down through the generations.
Seeley offers a visually resplendent, alphabet-themed, word-search picture book.
“Spot animals. Objects! / Find WORDS and much more! / And discover a world of things / when you explore.” So tasks “Shadow,” the cute, cloudlike critter who narrates this collection of picture searches. Readers are presented with a two-page spread for each letter of the alphabet. The first page of each contains text in a simple ABCB rhyme structure: “I is for icecubes / and ice cream cones, too. / Look for irises, flowers / of indigo blue.” Every instance of the featured letter is in color (in contrast to otherwise-black text), and words beginning with that letter float ghostlike in the background. The flow is dreamy, and it takes a little work to keep in rhythm (children will likely gloss over the words altogether and dive straight into the picture searches). Each letter’s illustration page is presented as if within a large picture frame containing a collage of painted illustrations, each bursting with images inspired by the letter in question. The letter M, for instance, features macaroni, a monkey sitting on a moon (with a mouse sniffing about), a mermaid (wearing mittens) with mountains in the background, and a marshmallow tree with marigold flowers. The images are rich and intricate, much in the style of Graeme Base’s classic Animalia (1986), and offer endless encouragement for poring over by keen young eyes.
A lovely book to read and pass down through the generations.Pub Date: Oct. 1, 2024
ISBN: 9780986425035
Page Count: 64
Publisher: Best Friends Art Gallery
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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