A sweet coming-of-age graphic novel about an artistic introvert. Sixteen-year-old Paige Turner (a product of writer parents, though that still doesn’t forgive the somewhat cruel moniker) is a recent transplant to Brooklyn from rural Virginia. Lonely and aloof, she decides to take her passion—art—to a new level and follow the rules that her grandmother (also an artist) lived by. Paige luckily falls in with a group of similarly artistic kids, and they become a tight circle. In this bunch, Paige meets Gabe, a handsome young writer whose love for the written word rivals her love for art. The group spends their days wandering the city, improvising thoughtful, random acts of art that they hope will touch those around them. In a story-within-a-story, readers are made privy to Paige’s sketchbook, exposing with her innermost thoughts, even as they join her quest for identity and belonging. Paige’s sketches are soft and expressive, and Gulledge does an admirable job of providing insight into Paige’s musings, creating a very intimate ambiance for this well-fleshed-out character. The artist masterfully commands her piece, creating a cohesive and fluid work that cascade smoothly along. Teens are sure to relate to this wallflower who blooms—gloriously. (Graphic fiction. 13 & up)
Pub Date: May 1, 2011
ISBN: 978-0-8109-9721-9
Page Count: 192
Publisher: Amulet/Abrams
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
Flipping awesome.
After a wish goes wrong, a girl and her crush must figure out how to break a body-switching curse.
Chi-Chi Ekeh feels invisible. Like her previous crushes, hot varsity swimmer Flip Henderson—yet another rich white boy at her Texas boarding school—seems unaware of her existence. With only weeks until graduation, Nigerian American Chi-Chi’s friends Esther and Yesenia dare her to ask Flip to Senior Festival. But Flip accidentally shows her promposal video to the whole class—and immediately turns her down. Embarrassed, Chi-Chi flees, but her innocent remark—“I just wish Flip Henderson liked me”—has unexpected consequences. After falling and hitting her head, Chi-Chi wakes up in Flip’s body, and he in hers. Freaked out beyond belief and regularly switching bodies, Chi-Chi and Flip work with Esther and Yesenia to break the curse. Meanwhile, forced to see herself through someone else’s eyes, Chi-Chi must confront uncomfortable feelings. There’s much to love about this book. The fully realized and sympathetic characters, sincere and humorous development of friendships, and protagonist’s relatable and bittersweet emotional journey will keep readers engaged, eager to reach the resolution. Ukazu carefully balances tough topics like self-hatred, depression, and suicidal ideation with funny feel-good moments, deftly rendered in her characteristically expressive style. The dynamic and engaging illustrations bring to life a heartwarming story of self-love, acceptance, and true connection.
Flipping awesome. (author’s note) (Graphic fiction. 14-18)Pub Date: Sept. 23, 2025
ISBN: 9781250179517
Page Count: 320
Publisher: First Second
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Will appeal to manga fans but raises questions around depictions of racialized material.
An illustrated reimagining of one of Shakespeare’s most memorable tragedies.
From the very beginning of this clever adaptation, effort is made to prioritize accessibility of both the manga form and the classic Shakespearean play: The frontmatter briefly highlights the reading direction of the panels, and characters are labeled when introduced, coming to life via a striking combination of early modern Venetian dress; quintessential manga hairdos and facial expressions; and pronounced linework. Like the rest of the series, this account of Othello remains faithful to the original. The black-and-white illustrations allow for Iago’s conniving manipulations to manifest visually as well as animating characters’ bigotry in impactful, distressing ways. However, there are shortcomings: Where the original text may use parentheticals and asides to progress the story, the occasional appearance of parentheses in speech bubbles are a distracting reminder that comics utilize storytelling tools that haven’t been fully adopted here. Likewise, panel after panel of Othello’s turn to violence and his enraged face obscured by shadow provide a poignant dramatic effect but seem to exacerbate prejudices inherent to both the play and medium. Not only is the titular character visually distinguished from other characters by his shading, hair, lips, and overall size, unfortunately neither Shakespeare nor the illustrator seem wholly prepared for a contemporary conversation regarding racial representation in one of literature’s most infamous depictions of othering.
Will appeal to manga fans but raises questions around depictions of racialized material. (adapter’s notes, character designs) (Graphic fiction. 13-18)Pub Date: May 25, 2021
ISBN: 978-1-947808-13-3
Page Count: 420
Publisher: Manga Classics
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
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