In her 25th novel, Lippman messes up a near-perfect batting average.
An injured literary lion is held captive in his waterfront Baltimore condo.
There's a moment in Lippman's latest novel when her delightful series detective, Tess Monaghan, walks into the room and, for a moment, it seems everything could be all right. Unfortunately, it's just a cameo, and we're soon back with our uninspiring cast of three: novelist Gerry Andersen, who's had a debilitating fall, and the two women taking care of him, personal assistant Victoria and night nurse Aileen. At 61, Andersen has never repeated the success of his prizewinning bestseller, Dream Girl, and it's been quite a while since he wrote anything at all. He moved to Baltimore to take care of his mother in her last days, but even after her unexpectedly speedy death, he didn't return to New York, where the last of his many bad decisions involving women is waiting to shake him down for whatever she can get. This ploy doesn't work, and the woman shows up in Baltimore. Even more distressing, Gerry gets a phone call from a woman claiming to be the inspiration for Dream Girl, only, as he's told everyone for years, there is no real person who played that role. All the while, no matter what happens, Andersen's mind generates a literary or cultural connection, from Pete Townshend's solo album to Ben Jonson's plays to The Rocky Horror Picture Show. Some are explained, some aren't, so the reader sometimes feels as stupid as Gerry thinks everyone is. It's too bad this book has to be compared to Misery, because despite similarities in setup, it's no Misery. All the reveals come after you have figured them out; the murders are played for camp. The most gaspworthy moment in the book comes in the author's note: "If you want to play the game of figuring out who Gerry Andersen is, check out the author photo on this book." No! It can't be.
In her 25th novel, Lippman messes up a near-perfect batting average.Pub Date: June 22, 2021
ISBN: 978-0-06-239007-3
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A smart and highly original work of modern fantasy.
After the events of Book of Night (2022), Charlie Hall is forced to hunt down the perpetrator of a terrible massacre.
Charlie Hall is the Hierophant: It’s her job to be tethered to a powerful, independent shadow—a “Blight”— and hunt down other Blights for the Cabals, the heads of their respective shadow-magic specialties. The Cabals use the difficult job of Hierophant as a punishment, but Charlie agreed to take it on so she could be the person tethered to Vince, aka Red, the Blight who posed as a human and ended up dating and falling in love with Charlie. The Cabal leaders used magic to steal the part of Red’s memory that contained his relationship with Charlie, and so Charlie is determined to steal Red’s memories back. And she needs to move fast, because if Red doesn’t remember loving her, he just might be OK with Charlie being killed if it means his own freedom. Meanwhile, Mr. Punch, a terrifying Cabal leader who specializes in using shadow magic to possess other people’s bodies, has a job for Charlie: He wants her to find the culprit behind a terrible massacre that was attributed to a cult. He suspects that the people were actually killed by a Blight, and he doesn’t want the Cabals to face the blowback if the truth becomes public. Mr. Punch could do terrible things to Charlie if she fails, but if she succeeds, he’ll help Charlie and Red be free of the Cabals for good. The sophomore novel in a series is always tough, but this sequel proves that the second book can be even better than the first. Black turns the screws on the magical world she set up in Book 1, creating complicated political motives between Charlie and the Cabal leaders and making the question of what it means for a shadow, like Red, to have their own consciousness more interesting. Veteran con artist Charlie makes some truly brilliant moves, especially toward the end, where the last few chapters have one terrific surprise after the other.
A smart and highly original work of modern fantasy.Pub Date: Sept. 23, 2025
ISBN: 9781250812223
Page Count: 288
Publisher: Tor
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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