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UNDER THE EGG

If Dan Brown of The Da Vinci Code wrote middle-grade novels, this would be the one.

This debut novel weaves art appreciation, restoration and dating techniques, and bits of history from the Renaissance and World War II into a fast-paced mystery.

As the novel opens, 13-year-old Theodora Tenpenny explains her thrifty hobby of collecting trash from the city streets and turning it into useful objects. Then she recounts what happened merely three months ago: She found her adored grandfather, Jack, lying bloodied on a city street and heard his dying exhortation to “Look under the egg.” Theodora, who has spent her life living with her emotionally incapacitated mother and her crusty, artistic, capable grandfather, knows she must follow this clue in order to become the family’s next breadwinner. (Readers must suspend disbelief regarding social services in Manhattan.) Fortuitously, Theodora befriends Bodhi, also 13 but a member of a family of Hollywood celebrities. Theodora’s knowledge of art history and Bodhi’s skills in acting and in technology enable the girls to puzzle out the importance of Jack’s final words. All the characters are relatively flat, including first-person protagonist Theodora, but an original plot with humorous swipes at rich-and-famous lifestyles and authentic references to New York City will keep readers interested. Occasionally, there are awkward or dense passages, but they are balanced by quirky encounters, as with Eddie, a tattooed librarian.

If Dan Brown of The Da Vinci Code wrote middle-grade novels, this would be the one. (Mystery. 9-13)

Pub Date: March 18, 2014

ISBN: 978-0-8037-4001-3

Page Count: 256

Publisher: Dial Books

Review Posted Online: Dec. 6, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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EMPTY SMILES

From the Small Spaces series , Vol. 4

A thrilling and chilling end to a standard-setting series.

Arden’s quartet of seasonal horrors concludes with sinister clowns at a carnival.

A dry summer in East Evansburg sends friends Brian, Coco, and Phil to Lethe Creek to cool off. But there’s been an Ollie-shaped hole in everyone’s lives since the dastardly “smiling man” took her. The smiling man releases one of his other trapped children to deliver a message: they’ll need three hidden keys to win Ollie back. Meanwhile, Ollie—traveling with the smiling man and his carnival—tries to figure out a way to escape him on her own. When the carnival moves to East Evansburg, the stage is set for the final showdown. By day, it’s a fun-filled paradise. By night, the carnival’s clowns hunt wayward children to turn into dolls. Without the keys, Ollie and friends will be next. While predatory clowns and humans-turned-dolls are far from new territory, Arden once again flexes her gift for atmospheric writing to envelop readers in the story’s eerie mist. The expert use of pacing and sensory cues—sights, sounds, and smells—helps heighten the genuinely terrifying chase scenes. Chess matches and conversations between Ollie and the smiling man humanize the shape-shifting villain, exposing just enough of his motives to wrap up unanswered questions. Earlier volumes establish that most characters are White and Brian is Black.

A thrilling and chilling end to a standard-setting series. (Horror. 9-13)

Pub Date: Aug. 9, 2022

ISBN: 978-0-593-10918-2

Page Count: 256

Publisher: Putnam

Review Posted Online: May 9, 2022

Kirkus Reviews Issue: June 1, 2022

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BOOKED

A satisfying, winning read.

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

Nick Hall is a bright eighth-grader who would rather do anything other than pay attention in class.

Instead he daydreams about soccer, a girl he likes, and an upcoming soccer tournament. His linguistics-professor father carefully watches his educational progress, requiring extra reading and word study, much to Nick’s chagrin and protest. Fortunately, his best friend, Coby, shares his passion for soccer—and, sadly, the unwanted attention of twin bullies in their school. Nick senses something is going on with his parents, but their announcement that they are separating is an unexpected blow: “it’s like a bombshell / drops / right in the center / of your heart / and it splatters / all across your life.” The stress leads to counseling, and his life is further complicated by injury and emergency surgery. His soccer dream derailed, Nick turns to the books he has avoided and finds more than he expected. Alexander’s highly anticipated follow-up to Newbery-winning The Crossover is a reflective narrative, with little of the first book’s explosive energy. What the mostly free-verse novel does have is a likable protagonist, great wordplay, solid teen and adult secondary characters, and a clear picture of the challenges young people face when self-identity clashes with parental expectations. The soccer scenes are vivid and will make readers wish for more, but the depiction of Nick as he unlocks his inner reader is smooth and believable.

A satisfying, winning read. (Fiction. 10-12)

Pub Date: April 5, 2016

ISBN: 978-0-544-57098-6

Page Count: 320

Publisher: HMH Books

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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