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THE FORT

Mostly delightful.

Two children unwittingly—and unwillingly—share a fort in the woods, until one day their paths cross; will they fight or unite?

The prince, a white boy, struts toward his “castle,” planning his feast—only to discover, among other pirate effects, a treasure map scribbled on his invitation and an eye patch on the floor of his great hall. He rids the place of the pirate things and continues planning his royal feast. The next day, the pirate, a black girl, dreams of travel and treasure as she parades toward her “ship”—but she discovers a feast invitation, a crown, and table settings. She tosses out the royal items and tidies up on deck. Each finds the unwelcome changes on their next solo visit too, but on the day of the feast, the prince and the pirate come face to face. When each discovers their intruder, a fight over the space with shouts of “No pirates allowed” and “No royalty allowed” gives way to a new use for the fort: spacecraft. This is a vision the two children can, and do, share. The illustrations bring the children’s imaginations to life on the page, turning the fort into lush scenes depending on the beholder, leaving it simple and ragged only when the two argue. The values of imagination and collaboration are conveyed without a heavy hand. Two caveats: The interracial casting does not reflect real-world power dynamics, even among children, and one unfortunate imaginary scene sees the white boy presiding over a group of subjects of color.

Mostly delightful. (Picture book. 3-8)

Pub Date: April 21, 2020

ISBN: 978-1-62414-925-2

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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KNIGHT OWL

From the Knight Owl series , Vol. 1

A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.

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A young owl achieves his grand ambition.

Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.

A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)

Pub Date: March 15, 2022

ISBN: 978-0-316-31062-8

Page Count: 48

Publisher: Christy Ottaviano Books

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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