A dark and unsettling novel for lovers of Rebecca and Jane Eyre.
In Purcell’s third creepily atmospheric historical novel, a young woman flees London under a dark cloud only to discover new threats in superstition-haunted early Victorian Cornwall.
After serving as Lady Rose Windrop’s maid in elegant Hanover Square, Esther Stevens, having assumed the name of Hester Why, is unprepared for the stark contrast of her new position as a nurse and personal maid to the silent and partially paralyzed Louise Pinecroft, mistress of the cliffside Morvoren House. In the remote, eerie mansion she finds a strange household enacting bizarre local customs. Salt lines the doorway of Rosewyn Pinecroft’s bedroom. Wearing her dress inside out, Rosewyn, Louise’s childlike adult ward, gives the startled Hester a ball of bible pages “for protection.”Creeda, Rosewyn's caretaker and the longest serving member of the staff, warns Hester against being “pixy-led.” Alternating with Hester’s increasingly unreliable first-person narrative (aided by gin and stolen laudanum) are two other storylines. One reveals Hester’s hidden guilt at the events that drove her from London. The other goes back 40 years to when a young Louise assists her grief-stricken physician father as he embarks on a radical experiment using prisoners to find a cure for the tuberculosis that killed the rest of their family. Purcell excels at creating a spooky Gothic ambience, and the wild Cornish coast with its ancient folklore makes a wonderfully evocative backdrop. She also does a good job at establishing psychological ambiguity in her characters so they (and readers) aren’t sure if what they see is real or if they are going mad.
A dark and unsettling novel for lovers of Rebecca and Jane Eyre.Pub Date: June 9, 2020
ISBN: 978-0-14-313553-1
Page Count: 336
Publisher: Penguin
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
A stunning feat of storytelling and moral clarity.
An Irishman uncovers abuse at a Magdalen laundry in this compact and gripping novel.
As Christmas approaches in the winter of 1985, Bill Furlong finds himself increasingly troubled by a sense of dissatisfaction. A coal and timber merchant living in New Ross, Ireland, he should be happy with his life: He is happily married and the father of five bright daughters, and he runs a successful business. But the scars of his childhood linger: His mother gave birth to him while still a teenager, and he never knew his father. Now, as he approaches middle age, Furlong wonders, “What was it all for?…Might things never change or develop into something else, or new?” But a series of troubling encounters at the local convent, which also functions as a “training school for girls” and laundry business, disrupts Furlong’s sedate life. Readers familiar with the history of Ireland’s Magdalen laundries, institutions in which women were incarcerated and often died, will immediately recognize the circumstances of the desperate women trapped in New Ross’ convent, but Furlong does not immediately understand what he has witnessed. Keegan, a prizewinning Irish short story writer, says a great deal in very few words to extraordinary effect in this short novel. Despite the brevity of the text, Furlong’s emotional state is fully rendered and deeply affecting. Keegan also carefully crafts a web of complicity around the convent’s activities that is believably mundane and all the more chilling for it. The Magdalen laundries, this novel implicitly argues, survived not only due to the cruelty of the people who ran them, but also because of the fear and selfishness of those who were willing to look aside because complicity was easier than resistance.
A stunning feat of storytelling and moral clarity.Pub Date: Nov. 30, 2021
ISBN: 978-0-8021-5874-1
Page Count: 128
Publisher: Grove
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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