RUTHIE AND THE (NOT SO) TEENY TINY LIE

Ruthie loves her miniature assortment of dinosaurs, trains, ponies, teddy bears, seashells and a dollhouse-size tea set. Finding a teeny tiny camera on the school playground during recess, Ruthie is thrilled to claim it as her own. Happily taking pictures of everything in sight, Ruthie tries to take Martin’s picture when he informs her that she is holding his camera and he wants it back. A shouting match ensues with each child claiming ownership and Ruthie declaring, in an outright lie, “It’s mine!” “I got it for MY birthday!” Wise teacher Mrs. Olsen steps in just in time to call a truce, put the camera in her desk and defer the situation for tomorrow. Rankin addresses a common playground issue through the thoroughly believable behavior of her little fox’s full range of emotional responses, from exhilarating happiness to denial, lying, guilt, embarrassment and finally remorse. Light, crisp pencil and acrylics on watercolor paper offer visual perspective to a well-written demonstrative text through a varied set of anthropomorphized animals. Ruthie’s self-reflection and ultimate candid decision to apologize and admit wrongdoing is tenderly rewarded with a teacher’s praise and respect. Direct poignancy will spark musing and discussion in every early childhood classroom. (Picture book. 4-6)

Pub Date: July 1, 2007

ISBN: 978-1-59990-010-0

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2007

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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ISH

A lovely tale about the trials of a budding artist brought to us by the author/illustrator of Dot (2003). Ramon creates drawings at a furious pace. Everywhere he goes, he draws. But there’s nothing like a derisive older brother to put the kibosh on a sensitive artist type. Suddenly, Ramon becomes self-critical. He cannot satisfy his own desire to get things “right” anymore, so he decides to put away his pencil for good. Luckily another family member, his sister, has secretly been collecting Ramon’s art for her own private gallery. She convinces him that a successful drawing need not be a perfect reflection of reality. It’s okay if a house looks house-ish or a fish looks fish-ish. It is just the liberating sentiment Ramon needs to reignite his creativity. Told in spare prose with Reynolds’s signature line drawings in watercolor, ink, and tea, Ish will encourage other little artists. (Picture book. 4-6)

Pub Date: Sept. 1, 2004

ISBN: 0-7636-2344-X

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2004

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