Packed to the brim with intrigue and the promise of a third installment.
A rebel queen fans the sparks of revolution.
Picking up immediately after the events of Ash Princess (2018), Sebastian’s expansive sequel finds young Queen Theodosia—her title newly reclaimed—fleeing her country and throne. With her people still enslaved, Theo will need allies and an army to free them, and her aunt, the fierce and manipulative pirate Dragonsbane, insists that the only way to acquire either is if Theo marries—something no queen has ever done in Astrea’s history. Wracked by nightmares, guilt, and fear that she is losing herself (and more), Theo balks but, with few options open to her, grudgingly agrees to meet with suitors at a grand invitational hosted by the king of the opulent Sta’Crivero. Readers looking for further immersion and expansion of Theo’s world will not be disappointed here. The narrative suffers marginally from lengthy details picked up and soon put back down with no real service to plot or character development, but Theo’s first-person narration remains enthralling with emotional immediacy as she learns more and more about her world and the people (and cruelty) within it. Vengeance, political corruption, and mystery are the main drivers, and questions of trauma, empathy, and sacrifice hold the reigns as Theo grapples with emergent magic, inconvenient romances, and the crushing weight of her choices as a leader.
Packed to the brim with intrigue and the promise of a third installment. (maps) (Fantasy. 14-17)Pub Date: Feb. 5, 2019
ISBN: 978-1-5247-6710-5
Page Count: 512
Publisher: Delacorte
Review Posted Online: Dec. 18, 2018
Kirkus Reviews Issue: Jan. 15, 2019
A strangely tame read despite all the sex, drugs and rock-’n’-roll.
Rock music offers four teen girls a much-needed outlet and escape in mid-1980s South Carolina.
The Screaming Divas are an unlikely ensemble. Brought together by Trudy, a magnet for trouble who is fresh out of juvie, the band also includes gorgeous Cassie, a former child-beauty-pageant queen; stoic Harumi, a classically trained violinist who had a meltdown at her Juilliard audition; and shy Esther, who harbors a secret crush on Cassie. The third-person narration rotates through the four members’ viewpoints to show what attracts each girl to the group. Even as the Divas begin to enjoy modest success on Columbia’s club scene, the girls’ rebellious impulses lead them to take other risks, such as moving out of their parents’ homes, experimenting with drugs, and starting romantic relationships with older men and women. At times, the novel feels more like a catalog of teen social issues than a coming-of-age story. Kamata’s (Gadget Girl, 2013) sensitive, restrained prose shines during small character moments—like Cassie’s fierce recitation of Sylvia Plath’s “Lady Lazarus” during English class—but dulls the impact and energy of the concert scenes.
A strangely tame read despite all the sex, drugs and rock-’n’-roll. (Historical fiction. 14-17)Pub Date: May 18, 2014
ISBN: 978-1-4405-7279-1
Page Count: 208
Publisher: Merit Press
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Forgettable. (Fiction. 14-16)
A dual-narrator novel explores the concept of forgiveness.
Budding poet Sarah is torn between two colleges: Mills, which has offered her a full scholarship, and the University of Washington, whose only appeal is Mr. Haddings. A grad student and poet-in-residence at her school, the charismatic Haddings has Sarah considering a change of plans, to the dismay of Sarah’s controlling mother. Haddings knows he needs to keep the relationship professional, but he’s having a hard time with that. Then, in a moment of distraction, Haddings hits Sarah with his car. Over the next three days, Sarah will cope with the pain, the accident and her worries about her future, while her family—oblivious father, brittle mother and immature brother—and her best friend try to help her. Haddings copes with his crushing guilt, usually making choices that make everything worse. Straining credulity, both Sarah and Haddings wonder if there might be a chance for them still, when the more important question is whether they can ever forgive. Plot events are sequenced poorly and depend far too much on coincidence for their effect; the dual narrative does not provide substantial additional insight, making it feel contrived as well. Stilted dialogue makes characters feel flat, particularly Sarah’s brother.
Forgettable. (Fiction. 14-16)Pub Date: Oct. 7, 2014
ISBN: 978-0-310-7295-0-1
Page Count: 224
Publisher: Blink
Review Posted Online: July 21, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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