A circuitous but sensitive novel from an author to watch.
Domestic worlds collide when an 11-year-old evacuated from England to the United States during World War II is absorbed into a new family, reconfiguring both its equilibrium and her own.
Spence-Ash’s debut takes a multiperspective approach to one minor wartime decision that impacts multiple lives across time and place—from the 1940s to the 1970s in London, Boston, and on a magical island off the coast of Maine. The last is where the Gregory family spends each summer, as Beatrix Thompson will learn to do too, during the five years, from 1940 to '45, she spends with the Gregorys: parents Ethan and Nancy, sons William and Gerald. Back in Blitz-stricken London, her parents, Reginald and Millie, miss Bea intensely and argue about the wisdom of Reginald’s insistence on her departure. Reginald is a factory worker with “no money in savings at all,” while the Gregorys are “house-rich and dollar poor,” Ethan employed as a teacher. The class divide is just one element to which Beatrix must adapt, but as the daughter Nancy always wanted and a treasured companion to both boys, her new role develops into a positive, enlarging experience for all parties in America. After the war and Beatrix’s return to England, her relationship with the Gregorys begins to drift. And, with the novel's decade-spanning timeline and episodic structure, so does Spence-Ash’s plot momentum. Postwar relationships, children, and deaths occur, accompanied by glimpses of tenderness and connection, but there’s also a hollow restlessness to the narrative, compounded by the sketchiness of some characters, including a major one who disappears without much impact. It’s the women who emerge most vividly from this delicate yet porous story that eventually yields to a predictable conclusion.
A circuitous but sensitive novel from an author to watch.Pub Date: March 21, 2023
ISBN: 9781250854377
Page Count: 368
Publisher: Celadon Books
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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