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Fairy Godmothers Are For Wimps

A page-turning tale about an appealing, young narrator suddenly thrust into a magical world.

Life isn’t going so great for Haley until she finds out one of her teachers is her fairy godmother.

Haley is a typical middle-schooler: Her older sister is seemingly perfect and gets all her parents’ attention; she has a tough time with her classes; the boy she likes doesn’t pay attention to her; and all she wants to do is eat junk food, hang out with her best friend and babysit the neighborhood kids. After a particularly tough day at school, she starts hearing her language arts teacher’s voice in her head and realizes that Ms. Hagglesworth, a warm, friendly, understanding woman who lets her students sit on the floor and drink tea, is her fairy godmother. Haley starts to depend on Ms. Hagglesworth to help her out of difficult situations—trying out for violin chair in band, forgetting her instrument and getting home on time after a night of babysitting. But Haley soon learns that the help she receives has a price, not the least of which is forgetting the impending due date for a science-fair project, something that slips her mind while she’s learning to fly with Ms. Hagglesworth and otherwise engaging in magic. The story has a few twists, including the ending, which changes the tone of the story. Veil, author of several young adult and children’s stories has mastered the vocabulary and tone of a kid’s lit; e.g., “ ‘Ank ew,’ I said with a very full mouth. My mom would have been very disappointed in my diet and my lack of manners. Ms. Hagglesworth was so much fun to be around.” Haley is a likable, sympathetic main character, and the supporting characters are also fleshed out. The pacing is exactly right; Veil takes time to set the scene and introduce characters before beginning the magical parts of the book. Finally, it’s an attention grabber, particularly when the plot turns darker toward the end of the story.

A page-turning tale about an appealing, young narrator suddenly thrust into a magical world.

Pub Date: March 4, 2014

ISBN: 978-1492831556

Page Count: 114

Publisher: CreateSpace

Review Posted Online: May 16, 2014

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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MATILDA

After some autobiographical excursions, Dahl here returns to the sort of whimsically grotesque fantasy that makes grown-ups wince and children beg for more. His heroine is five-year-old Matilda, a genius whose mathematical abilities, as well as her impressive reading list (Hemingway, Steinbeck, etc.), are totally unappreciated by her father—a dishonest used-car salesman—and her mother, a devotee of bingo and TV soaps. Only when the girl enters school does she find an understanding ally, Miss Honey, a paragon of virtue who attempts to defend her pupils against unbelievably cruel headmistress Miss Trunchbull, who hates children in direct proportion to their youth and tortures them accordingly. Just when things seem to be at their worst, Matilda discovers still another gift, telekinesis, enabling her to defeat the horrible Trunchbull and give Miss Honey, and herself, a new start. Dahl's tightly woven plots, his strict sense of absolute justice, and his raunchy "funny bits" make him popular with children who also appreciate the empowerment he grants to his smaller, weaker protagonists. Matilda is the most simplistic of his efforts in this direction, but it does retain the time-honored appeal, abetted by Blake's apt illustrations. It probably should be marked "For Children Only," though. And Dahl slips badly when he says that C.S. Lewis and J.R.R. Tolkien have no "funny bits" in their books.

Pub Date: Oct. 1, 1988

ISBN: 0142410373

Page Count: 240

Publisher: Viking

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Sept. 15, 1988

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