by Lauren Gibaldi ‧ RELEASE DATE: June 14, 2016
Adoption entails lifelong losses along with joys, but its hard questions and nuanced complexities are airbrushed from this...
A photography-class assignment on the meaning of family prompts Maude, an adopted high school senior in Florida, to learn about her deceased birth mother, Claire.
Maude’s Indian-American BFF, Treena, attends Florida State University, which Claire attended and where Maude might apply. Parental permission secured, the white teen visits Treena, who promises to help; but partying, drinking, and hanging with her new boyfriend means she’s not there for Maude. Luckily, Treena’s dorm mate, an appealing Star Wars nerd, steps in and joins Maude’s quest, which leads to Claire’s high school, teachers, friends, foes, and family. Each discovery forces Maude to re-examine her image of Claire, as she also does with Treena. Maude’s high-concept struggle to condense a process into one snapshot has depth and pathos, but it is undermined by the incomplete portrait of adoption. A bright, artistic, edgy teen from a troubled background, Claire elicits Maude’s compassion, along with repulsion and relief at having been adopted by better parents. Maude expresses no sense of deep personal loss. After all, her affluent, “fit” parents have given her a better life than her impoverished birth family could. Claire’s (atypical) death in childbirth at 18 safely removed her from the story; Maude’s goal is to understand her mother as a teen in order to complete her own story. Claire’s peers play a greater role in Maude’s search than her birth family.
Adoption entails lifelong losses along with joys, but its hard questions and nuanced complexities are airbrushed from this affluence-cushioned world. (Fiction. 12-16)Pub Date: June 14, 2016
ISBN: 978-0-06-230223-6
Page Count: 352
Publisher: HarperTeen
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
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edited by Lauren Gibaldi & Eric Smith
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edited by Lauren Gibaldi & Eric Smith
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by Stephanie Garber ‧ RELEASE DATE: May 29, 2018
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.
Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.
Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.
Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)Pub Date: May 29, 2018
ISBN: 978-1-250-09531-2
Page Count: 464
Publisher: Flatiron Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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