Penny’s conflict about her future is believable, and readers facing similar choices should find much that is recognizable.
A summer theater program changes Penny’s expectations for life after high school.
Penny’s grown up in a tiny Florida town, embracing a future that everyone assumes will include inheriting her family’s diner and marrying her high school sweetheart, Logan. Attending a summer theater camp, on scholarship, before her senior year feels more like self-indulgence than career preparation. However, several of Penny’s pre-camp reflections already foreshadow changes on the horizon. First she describes a companionable silence with Logan as “mostly” comfortable and then moments later boldly concludes that her friendships will never change because “we have it all planned out—our futures here. Together.” So it’s not entirely surprising when her more-cosmopolitan theater friends’ dreams of acting in the big cities make Penny’s pre-determined small-town future begin to feel dull. Nevertheless, Penny’s wracked with guilt about viewing the family’s legacy as a burden, and bridging the gulf between Penny’s and Logan’s future expectations bids to be a difficult—and unresolved—feat. Gibaldi sensitively develops Penny’s desire for both independence and the safety net of Logan’s love, although secondary storylines—especially Penny’s father’s new romance—occasionally feel underdeveloped. Penny is depicted on the cover as white, and the lack of racial markers points to a mostly white cast.
Penny’s conflict about her future is believable, and readers facing similar choices should find much that is recognizable. (Fiction. 12-18)Pub Date: Feb. 27, 2018
ISBN: 978-0-06-249007-0
Page Count: 304
Publisher: HarperTeen
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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