An incisive, welcome look at prison life in the U.S.
An intrepid journalist immerses herself in a maximum security prison.
Displaying her impeccable observational skills, Kessler (Raising the Barre: Big Dreams, False Starts, and My Midlife Quest to Dance The Nutcracker, 2015, etc.) takes on the complex, fraught subject of incarceration in America. For most Americans, she writes, the portrayals of prisons in dramas like The Shawshank Redemption and Orange Is the New Black are the only sources of information about that world. “We figured we knew what was what. But of course we didn’t,” she explains, stating that her mission was to “learn about this hidden world. So that we all could. I could teach these men to craft stories. They could educate me about prison life. I needed to know—I thought we all needed to know—who these people were that we put away, far away from us, in a country that puts more people in prison than any other country on earth.” After arduously pursuing permission to launch a writers group at Oregon State Penitentiary, she finally succeeded and spent the next three years visiting inmates willing to participate in the Lifers’ Writing Group. Her group included a dozen convicted murderers of varying ages serving life sentences, some with, others without, parole. Some participated regularly, others came and went, but the core became committed to expressing themselves through the written word. Discussing everything from “joy” to “privacy” to topics like recidivism, Kessler moved deeper into these men’s collective life experiences as they revealed themselves both verbally and on the page. Their inner thoughts and feelings are as eye-opening as they are enlightening. “I am, time and again, struck by their intelligence, their insight, their candor, their humor,” writes the author. Between poignant moments tossed up with the drudgeries, frustrations, and clever dodges of prison life, Kessler gives a pulsing heart and a human face to this portion of the population all too often forgotten outside the walls.
An incisive, welcome look at prison life in the U.S.Pub Date: May 1, 2019
ISBN: 978-1-68435-078-0
Page Count: 192
Publisher: Red Lightning Books
Review Posted Online: March 9, 2019
Kirkus Reviews Issue: April 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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