A searching, emotionally candid collection that makes spiritual inheritance feel palpable and real.
Martin’s poetry collection maps the unsettled ground between estrangement and return.
The book is arranged in six very epic-sounding movements—“Longing,” “Ending,” “Fury,” “Ghosts,” “Reconciliation,” and “Countenance”—followed by an epilogue titled “Land.” The haiku that open each section work less as summaries than tuning notes, briefly resetting the register before the poetic voice enters a mournful register. Ifá and Yorùbá cosmology are not ornamental reference points here but are part of the collection’s essence: Ọ̀ṣun, Ikú, Ọyá, and the Egúngún appear alongside lovers, siblings, dying friends, inherited names, and California’s increasingly volatile weather. Martin’s advantage is her willingness to let the sacred remain bodily, domestic, and occasionally unruly. In “Crossing the Divide-N.A.,” the speaker sits “in the stillness of your dying” without forcing the moment toward revelation. “Owl of the Full Moon” brings illness, burial ritual, danger, and family strife into the same nocturnal field. “Letters to My Grandfathers” carries a different pressure, allowing migration, persecution, assimilation, and contemporary suspicion to gather until ancestry feels less like background than the main subject of focus. Martin’s voice moves easily among tenderness, fury, profanity, humor, and incantation, often changing tone within a single poem. That tonal instability suits a book concerned with what remains after love, health, certainty, or homeland has shifted beyond recognition. The writing opens most fully when Martin trusts scene and image to convey meaning. Grief becomes a mouse quietly worrying at the garbage; death sits beside the speaker at a window; a sister finds companionship in a Keanu Reeves film during chemotherapy; California gives and repossesses its beauty through ash, water, and fire. Some of the longer pieces explain their emotional stakes after the images have already made them clear, muting what was initially sharp. Yet the author’s candor is difficult to resist. These poems ask, among other things, whether anger can coexist with devotion and whether reconciliation means peace or merely a more honest way of carrying the wound.
A searching, emotionally candid collection that makes spiritual inheritance feel palpable and real.Pub Date: Dec. 8, 2026
ISBN: 9798896362203
Page Count: 104
Publisher: She Writes Press
Review Posted Online: Aug. 1, 2026
Kirkus Reviews Issue: Sept. 15, 2026
Review Program: Kirkus Indie
BOOK REVIEW
A deeply learned dive into the frightening visions of technocrats past and present.
The noted historian and New Yorker staffer looks into a future ruled by machines.
Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”
A deeply learned dive into the frightening visions of technocrats past and present.Pub Date: Aug. 25, 2026
ISBN: 9781324098423
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
PERSPECTIVES
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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